Skip to main content

"We Meet at Daybreak" (The Subtle Frasier Reference).


Today was an eventful day in the sense that I got a lot done, though there was more time spent in front of a computer screen waiting for technology to work than I'd have liked.

I started the day by meeting Glyn for coffee (well, tea for him) for the first time since I returned from Edinburgh. The intention was to have breakfast, but it was such a nice morning when I met him in Hitchin Market Place that we just sat in the Square. I inevitably filled him in on the highs and lows of the Fringe; a conversation with additional contributions from Glen Davies who joined us after bumping into us on his way to get his hair cut (we didn’t get to see the final results).

Whilst we chatted I told Glyn of my plan to film my show, which ended with us putting a date in the diary to do this at The Market Theatre on 11th October; while I’m often reticent about doing my shows in Hitchin as they tend to get a slightly muted response, after weighing it up it still seemed the best option, as it’s far easier for us to film it in a place with such flexibility that we know inside out; I also plan to book some form of warm-up in front of me, which will hopefully go some way towards combating the slightly awkward reaction it sometimes gets locally.

I briefly popped to the theatre after doing some work in the office for half an hour or so, just to see what the set was like that’s up at the moment - as it’s the one I’ll end up performing in front of, which is ultimately fine; I’m really not bothered by it.

On leaving Glyn I walked home, where I continued my daylong attempt to confirm our autumn St Albans Mostly Comedy dates so I could start to book suitable line-ups; this wound up being pretty successful, with us finalising the dates from October through to December, along with the line-ups for the first two shows, which include John Thomson in October and Simon Day in November; a veritable coup for Fast Show fans, particularly in the case of John, who hasn’t appeared at Mostly Comedy in four years. Once this was done I spent the evening wrestling with my laptop trying to put together the latest mailout; there’s no rest for the wicked comedy club promoter it seems.
Labels:

Popular posts from this blog

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...
Read more

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...
Read more

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...
Read more