mostly david ephgrave

Last night, I had what was supposed to be the penultimate preview of my new show before I jet (or 'train') off to Edinburgh, but - for a variety of reasons out of my control - ended up being the first. Me, during last night's show at Hitchin Town Hall (21.07.22) I'm pleased to report it went well, though there's still a lot of work to be done. While I'd intended on doing an hour, the distinct lack of opportunity to spread the stories I wanted to try across several dates made me decide to split the show into two halves so I could throw a few more into the mix without rushing them. It also gave me more time to regroup in the interval, which is useful when you're road-testing new material. Plus, it gave the audience a welcome break*, which was helpful, not least when the room was as hot as it was. Going through my notes, pre-show. All in all, the results were encouraging. I've found it hard working in such isolation this year, particularly on the back of al

As of today, I've been a professional actor and musician for twenty years. Allegedly.  Doesn't working in the same field for two decades technically constitute a career? If so, I look forward to the sense of security kicking in, both psychologically and financially. However, I know I should at least give myself a pat on the back for managing to stay in an industry so notorious for people dropping out. To still be acting twenty years after my showcase at London's Fortune Theatre is not to be sniffed at, whatever my bank balance/sinus issues say to the contrary. All in all, I haven't done too bad. My first two jobs - both No. 1 tours for Bill Kenwright - set a high bar in terms of the scale of theatre I was playing and the work I was doing. Being a musician definitely increased my opportunities in the early days, though I risked being typecast in a genre I was determined to not get stuck in. However, it gave me some great opportunities of which playing my heroes Paul McCa