mostly david ephgrave

I mentioned a little while ago that I'd rediscovered a cassette of my old band Big Day Out's early demos and was struck by the songs and their energy. One such track was I Get High: a burst of musical sunshine that's very evocative of the time and captures what those first few years of BDO were all about. David Ephgrave · I Get High The demo comes from a session we did with our then-manager Martin Goodrich in 1997ish. Martin was one of the first people to buy into the band and support us. He was a lovely guy with a fair bit of musical knowledge, who also owned an analogue 8-track recorder, which was a dream come true for the band's two songwriters, Rich and me, to get to play with. My friendship with Rich must have seemed unlikely at the time - he was one of the cool kids at school whereas I definitely wasn't - but it was a sparklingly productive thing. We first got chatting in Design Technology classes (when we should have been working) when we found out we both ...

While sorting through some old things today, I stumbled across a cassette of early Big Day Out demos I haven't heard for years and, after putting magnetic-tape-to-tape-head using my first HiFi (which I rescued from my garage last week), I discovered they're still bloody good. The songs were recorded using our friend, one-time band manager and adopted-father-figure Martin Goodrich's 8-track in around 1997ish, and sound remarkably polished considering our tender age and the technical limitations. The joy and energy bursts from the speakers like the band are playing in your front room today and, while there are inevitable Britpop-style musical quotes we'd soaked up at the time - like the odd Oasis-Esque vowel sound - something sparkling and original still comes out the other side of it. And the songs - which are unashamedly out-and-out pop - are catchier than coronavirus. (Too soon?) Before I sound smug, I should point out the driving force at that time wasn't me, but ...