mostly david ephgrave

Yesterday, we released a new episode of More Than Mostly Comedy , featuring an interview with the excellent Tony Hawks , which we recorded a fortnight ago - our second new MTMC both in a month and since the club relaunched in 2023. That 'our' has been subject to a personnel change since Mostly was last a functioning entity. I now host the podcast with Dan Graham, who also now runs the club with me. I suggested resurrecting the podcast a few months ago to make the most of what, for me, has always been the best part of Mostly Comedy: the fascinating people it brings us into contact with. Why waste that opportunity by restricting it to a one-off gig in a room, when you can get something out of it that lasts beyond that date? (Don't respond.) Tony Hawks is undoubtedly such a person. I've been a fan of his books ever since my friend Ash recommended 'Round Ireland with a Fridge' to me while I gave him guitar lessons in the early 2000s. I instantly fell in love with To...

My ongoing mission to tie up loose ends saw me recently edit the final episode of More Than Mostly Comedy (recorded at the last Hitchin Mostly Comedy on 9th December 2021) and my share of the edit of our most recent instalment of The McCartney McAlphabet . Both are available wherever you pick up your podcasts (you lucky thing, you). I'm now in the unusual position of all my editing being up to date, which is a rare treat. In the case of More Than Mostly Comedy, I purposely saved it until I felt ready to look at it and for a time when the stresses of the Fringe had passed. I knew it would be bittersweet because of the circumstances. Unsurprisingly, I didn't want to spend much time wallowing in the last remaining link to something that had been so central to my life for fourteen years. The thought of being confronted by audio from a show that wasn't supposed to be our last was daunting. Both my partnership with Glyn and Mostly Comedy were things I'd fiercely protected, a...

And so Mostly Comedy has closed. Our closure statement (26.04.2022). Arriving at this decision was difficult. It went against my natural-born instinct to keep things going at all costs. My brain has an annoying habit of defining what I do on the times when it isn't plain sailing at the exclusion of any evidence to the contrary, and this was no exception. But the fact is the circumstances we found ourselves in thanks to the pandemic were unprecedented and extremely hard to fight, particularly when you have so little money to start with and are constantly calling in favours from friends to make the shows run smoothly on the day. Pre-show audience at a Hitchin Town Hall Mostly Comedy (June 2019) The sad thing is I had visions of it carrying on long into the future, though if I could find a way to outsource some of the admin, that would've helped. I liked the idea of reaching our twentieth anniversary - we were already close to our fourteenth - as, for some reason, the idea that it...

Yesterday, controversially, was the first day in nineteen months with a Mostly Comedy at the end of it, which is the longest gap between gigs in our nearly thirteen-year history. Sharing a showbiz stance with Phil Cornwell. It's fair to say we had no idea how long we'd be closed when we cancelled our show planned for March 2020. If anything, we felt we might be being over-cautious. But little did we know what lay ahead. And while that still applies today, to an extent, it was at least good to take baby steps towards pre-pandemic normality. Now, we just need public interest and confidence to build to the point that we start to pull in enough punters to make a profit while being as Covid-secure as possible. For the most part, the show was like putting on a pair of comfy shoes once we got past a couple of tech issues which meant we opened late. While we only started approximately fifteen minutes after our advertised kickoff, the mad dash to the end of our soundcheck left me feelin...

I was sad to stumble across the news on Twitter that Lynn Ruth Miller - who up to then was the world's oldest working stand-up - passed away last week. Interviewing Lynn Ruth Miller for More Than Mostly Comedy (13.12.20) I'd only been talking to her via email in July when we rescheduled Mostly Comedy's reopening to September and moved her next appearance at the club to next month as a result. But sadly, that lineup wasn't to be. She was More Than Mostly Comedy's penultimate guest  back in December, and what an eye-opening it was. It's no wonder she made the Telegraph's obituary section at the weekend as she practically squeezed four lifetimes into one. And she was a picture of resilience, having picked herself up more times than a pin in a bowling alley. It sounds like a stock phrase, but she was truly inspirational, and the comedy world is markedly emptier and less colourful in her absence. Not to mention younger. It's not often you share a bill with so...

We recorded our first More Than Mostly Comedy interview of 2021 last night with James Acaster, pulling the largest number of live viewers of a Zoom show to date. It's mad how far James' reach has extended since we first met at our second-ever Mostly back in October 2008. That said, if anyone from those days was going far it was him. He was a one-off from the start. While I get the impression he's a tough self-critic and would no doubt dismiss those early sets out of hand, his distinctive and now much-imitated delivery was there already. That unique turn-of-phrase, which must just be him, was well-established, as was his slightly formal dress sense. I've never known a chap his age own so many pairs of corduroys. (Says the man who just used the word, 'chap'.) What's nice is he's remained loyal to the club, despite his stellar career leaps, often returning when he can. So when I asked if he'd be free for an onstage interview in the autumn, and he wasn...

The preparatory work I've done this week for my forthcoming McCartney podcast has been a pleasant diversion from my problems and has given me a glimpse of something to enjoy in the months ahead. I'm looking forward to starting to record it. It will ultimately be a slight flex of my creative muscles that I could do with. I want to have fun with it and find a way out of the personal mire of the past two years. As well as sharing notes for the first few episodes with my Macca conspirator Clary Saddler, I've also finished editing the Isy Suttie instalment of Glyn's and my More Than Mostly Comedy Podcast, which I'd abandoned for a few months due to a technical problem with the audio files that I've since resolved on a clear head. And the outcome is an interesting and funny conversation. And once I've edited our interviews with Lucy Porter and Lynn Ruth Miller, I'll be up to date and ready to turn my head to all things Macca. Hopefully, it will act as a palate...

Pulling together a couple of composite images to summarise Mostly Comedy 's 2020 act roll-call - as I do every year - served to underline what a great bunch of people have either appeared at the club or guested on our podcast since January. Stills, taken from some of our Zoom-based More Than Mostly Comedy Podcast interviews this year. ...plus a few more. Of course, the year was nothing like we'd planned, with just two proper live dates in January & February thanks to COVID-19, but at least we managed to make a virtue of adversity by dipping more heavily into the podcast than usual, with ten new episodes already released and another three waiting to be edited; that's far more than we would have done had the club been open, so that's good. And even if we'd gone ahead with the onstage interviews we'd intended to do at the club this year, it's unlikely we'd have had such an impressive roster of guests; that's the advantage of being interviewing peop...

Life's sent me into a bit of a mad panic over the past few days. I don't know how to create any stability in the current circumstances without the small income I take from Mostly Comedy, and with the vast majority of the money I inherited after my dad died being piled back into buying my mum out of his house at a price that shows no concession for who she's dealing with. My work is on hold until the COVID-19 situation eases, and I'm putting a lot of energy into our podcast in the meantime in the hope of creating a financial stopgap for the club (except it's currently making a loss). On top of this, I'm trying to process the events surrounding my dad's death and my mum's active decision to not fix them. Despite her frequent disrespect for personal boundaries and inability to discuss a different perspective, I always assumed ours was a protected relationship. But I was wrong. Her words during our final conversation when I suggested a path to repai...

Wednesday afternoon's interview with Josh Widdicombe was the relaxed, easygoing chat I hoped and expected it would be and will make for an entertaining episode, I think. Us and Josh, during last night's Zoom interview (15.07.20) It's funny as, from the outside looking in, he's one of the bigger names we've interviewed, although the way we came into contact with him makes this feel less significant, as regards intimidation at least. Not only was he one of the club's regulars during its earliest days, but we also shared a Free Fringe venue with a split-bill show of him and James Acaster with them in immediately after us, so we were relaxed with them both. It helps that, like James, he's just a nice guy with no arrogance, who's remained that way, irrespective of his success. And as far as I'm concerned, those are the best people. So this allowed the interview to flow with ease and without pretension. Plus it was great to catch up. And it's ...

Yesterday's podcast interview with Anna Morris was another nice one, with some lovely stories about fortuitous moments, where the universe just seemed to step in on her behalf. Stills from last night's ZOOMostly Comedy with Anna Morris. While I'm a realist, perhaps counterintuitively, I'm also a firm believer in following the moment without overthinking it too. When it comes to creativity, that's often the best route to take. The best ideas usually come quickly and almost of their own accord when you're not stretching for them, though that's not to say you don't still have to put in a lot of work to shape them afterwards. But there's a lot to be said for being open and ready for the moment when your subconscious dredges up something good. The best example of this for me was when I was still an active songwriter. Back then, only the moments that surprised me that felt worth pursuing. While I could churn out a basic song with a beginning...

Today's the first day this week that I haven't set myself the task of editing one Glyn's and my podcasts, though I've still got one to do to clear the way for the others ahead. While I'm pleased to be recording them, I can't shake the background noise of "Why am I doing this?" in my head. "What's the point?" and "It's not like they'll bring in any money" also jostle for attention in my subconscious. I know it's all part and parcel of bridging the gap to Mostly Comedy being a going concern as opposed to just a growing one, but it's another example of putting in far more work than the money I can take out. And more importantly, I want my career to move on , after years of relentless self-generating without the support of the right agent; being honest, I haven't had good representation since my first agent retired in 2004ish. Even the nature of the interviews themselves can serve to remind me I'm no...

There was a point about halfway into Friday's ZOOMostly Comedy interview with Bobby Davro when it suddenly hit me how special the whole thing was. Bobby Davro, joining us via Zoom for our More Than Mostly Comedy Podcast (12.06.20) It was probably partly because Bobby's such a giving performer who throws himself into his work wholeheartedly, jumping from impressions to gags to anecdotes with a scattergun approach. And I mean that positively. It also helped that we were joining him live through the magic of the internet as he sat at the stool of his baby grand piano in his glamourous house, like he was giving a remote award acceptance speech or a prerecorded message for This is Your Life. That - and the fact the conversation was packed with great stories and a lot of laughter - put us in a privileged position, and one we would never have been in if it weren't for the current lockdown; you've got to find the positives, however small they may be. Me, during the ...

Last night, we interviewed the brilliant Rory Bremner for our More Than Mostly Comedy Podcast - the second guest to join us via Zoom since lockdown - for what was a predictably witty and insightful conversation. Rory, making us laugh with his Michael Howard last night. While it's fair to say Rory was always on my wishlist, he's someone I would never have dreamt would appear at Mostly Comedy before he did. He's an act like Paul Daniels, John Thomson or Ardal O'Hanlon, who appeals to the kid/teenager inside me, who grew up watching these performers for them to have a formative influence. And as I said to him during our interview, it was his satirical shows of the early-1990s - alongside 'Have I Got News For You' - that first educated & informed me of politics and its innate ridiculousness. Despite not believing we'd secure an act of his calibre at the club, we were delighted when he first agreed to do it in 2016 and overjoyed when he turned ou...

It was very heartening when the virtual doors opened on our first-ever ZOOMostly Comedy last night to see so many people logging in and know we had lots of interest. We'd only announced we'd be pushing the podcast aspect of the originally-billed show online under a fortnight ago, so the turnaround was tight. The fact the interview was with the main pull of the night - Arthur Smith - was likely to go in our favour, but there were no guarantees people would be tech-savvy enough to want to try it. It shows how attitudes have changed since lockdown began that asking audience members to join us via the meeting software Zoom wasn't a big deal. And in many ways, I think the interview we presented was probably all the better for it, which is fortunate as it's likely to be the way Mostly Comedy will run for a good few months at least. Arthur was, as ever, the perfect guest. He's always warm and friendly and - unlike many younger, less experienced and less astute com...

Finally, five years on from our last instalment interviewing Paul Daniels and Debbie McGee in a conference room at Hitchin's Sun Hotel before their set at The Market Theatre next door, we have a new episode of our More Than Mostly Comedy Podcast available. This time, the comedian and impressionist Kate Robbins and standup and star of Red Dwarf Norman Lovett were in the spotlight; almost literally, in that we interviewed them onstage during the second half of February's Mostly Comedy at Hitchin Town Hall. It just so happened this was the last show before the coronavirus lockdown prevented live performances from taking place and it already feels like an age ago. I look forward to when we can return for many reasons; not least because it was great to make what was usually my favourite point of the evening - the chance to interview such fascinating people - part of the show. And though this first attempt at chatting informally in front of an audience was a little nervewracking...

I spent much of today editing the latest episode of our More Than Mostly Comedy Podcast - the first new instalment since 2015 - so we can release it later this week. The new episode is exciting for many reasons. Firstly, it's good to be back. Secondly, it features conversations we recorded together yet apart during lockdown, which - thanks to the wonders of modern technology - sound like we're in the same room. And thirdly, it's the first episode to consist of interviews recorded live onstage. See? Three reasons = many . Considering it's our first live interview and the first time we attempted capturing the recording in a challenging gig setting, I'm exceptionally pleased with it. Even without the caveats, it sounds relaxed and is an interesting listen. It helps that both interviewees - Norman Lovett and Kate Robbins - are easy to talk to and have done so many fascinating things. We couldn't have wished for two better subjects to kick-off our live conte...

Tonight we attempted a social experiment by doing the first-ever live version of our until-recently-mothballed More Than Mostly Comedy podcast, interviewing Kate Robbins and Norman Lovett onstage during the second half of this month's gig. As with most Doggett & Ephgrave projects, it was a day of multitasking with scant preparation, but then, why change what comes so naturally to us? Stress-management is our collective middle name (with clunky double-barrelment). Despite this, we came out the other side reasonably happy with how it went and with the sense that it was something we can build on in future. Most importantly, it gives us a chance to stamp our identity back on the club at the point it most risks turning into the type of faceless comedy night we never wanted it to be; I'd much rather pull a thoughtful comedy-literate crowd than a rowdy stag-party any day. Ironically, it's the size of our current venue that risks the club's identity changing the mo...

I’ve just finished editing episode twenty-one of the More Than Mostly Comedy Podcast; or, to borrow the parlance of the sitcom Friends, ‘The One with Paul & Debbie’. Listening to it reminded me of how lucky we are to interview the people we do. The conversation with Daniels and McGee takes up a sizable portion of the podcast - a good thirty to forty minutes – and covers a lot of ground. It was a privilege to talk to them in such detail, bringing up subjects and asking questions that have been on our minds for years. I, for example, was able to tell Paul about visiting Television Centre as a child to watch him film an episode of Wipeout, and share an anecdotal joke about it that made him laugh. If you’d told the younger version of me that I'd get the chance to do that, I would never have believed it. In many ways, the podcast is the best and most useful part of Mostly Comedy. It gives us the chance to have a proper chat with the acts, briefl...

Tonight’s Mostly Comedy was one of the most surreal and exciting gigs of my life. Paul Daniels at tonight's Hitchin Mostly Comedy (photos by Gemma Poole ). I never dreamt I’d share a bill with my childhood hero Paul Daniels; least of all at my own event. I never thought I’d make him a cup of tea ( milk and sugar), share a laugh backstage with the genuinely lovely Debbie McGee – and get to interview them with my equally ecstatic double-act partner, and then watch Paul perform a trick just for our benefit. The evening was packed with pinch-yourself moments; so much so, the ten-year-old inside me didn’t know what to do with himself. Paul Daniels and Debbie McGee onstage at Hitchin Mostly Comedy (19.11.15) We’ve played host to a lot of big names at Mostly Comedy, but somehow, PD trumped them all. The atmosphere in the room when he was onstage was electric; the roar from the audience when he let a “Not a lot” slip towards the end of his set nearly took the roof...