Skip to main content

Press Release Me, Let Me Go.


With my Edinburgh show just about as nigh as nigh can be, it seems as good a time as any to post the lion’s share of the press release for it, save my credits (which can be found to the right of this page, should you feel the need to be 'impressed').

This was compiled with the assistance of my PR for my trip north of the border, Milla Jackson. It’s the first time I’ve taken on someone to help with the promotion of one of my shows, as Glyn and I have always approached this massive undertaking by ourselves, arguably spreading ourselves too thin. It will be nice to largely hand over this task this time around, though being a bit of a control freak, it will feel a little strange as well. That said, approaching my first solo EdFringe seems as good an occasion to do it, as it would create unnecessary stress. I may use this newly acquired downtime to take up badminton. Then again, I mayn’t.

The back-end of comedy duo Doggett & Ephgrave for longer than he can remember, David Ephgrave is flying solo at this year’s Edinburgh Fringe and turning the spotlight on himself in Mostly David Ephgrave.

Don’t worry, he hasn’t heard of David Ephgrave either.

"David Ephgrave is as smooth as they come."
BBC

Over the last three years, David has been writing a daily blog on the advice of workaholic Richard Herring, to turn the day-to-day minutiae into a powerhouse of creative inspiration. He discovered that by challenging himself to write one entry every single day, he has inadvertently revealed an obsession for the small things that crop up in everyday life. In his show this year, David explores whether we’re all preoccupied and enraged by the same life details, or, if not, whether he can start a misfit revolution to make sure we are. (It’s not OCD – although that would scan better alphabetically.)

"Ephgrave is a very likeable standup, confident but not cocky, and a lot of fun to spend time with...He's a natural entertainer."
View From The Gods

Part TED talk, part stand-up, David uses his laser pointer and PowerPoint to navigate us through the awkwardness of blocked toilets in bed & breakfasts, racist taxi drivers and funeral procession faux pas; revealing an unhealthy fascination with overheard conversations, the length and breadth of Dale Winton's patience, and the rebranding of Clinton Cards.

His warm and confident comedic style, combined with a just about healthy injection of self-deprecation, and an eye for the bizarre, sinister and downright ridiculous guarantees an hour of playful conversation meets pent up fury that will have you in stitches – and wondering, can a Gorgon check in a mirror if they’ve got something in their eye?
Labels:

Popular posts from this blog

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...
Read more

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...
Read more

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...
Read more