Isolation.
Tonight’s Mostly
Comedy was stupidly good - insanely stupidly good - but at the same time it was
a little terrifying, as I spent the whole show in a metaphorical vacuum, barely
able to hear a thing.
I should explain:
for the last week or so, my right ear has been purely ornamental, due to a mix
of a low-level infection and an unnecessarily large wax quota. This actually
started when I was in Edinburgh, when every so often I’d feel like I was in an
aeroplane waiting for my ear to pop; usually it would clear eventually; that
was until the last week, when it’s actually closed shop…and has done nothing of
use since except hold up my sunglasses.
I went to the
doctors on Monday, who gave me some ear drops to help clear things up, but
sadly these haven’t quite kicked in yet; consequently I spent tonight feeling
like I was using in-ear monitors, as all I could hear was my own voice
uncomfortably close and nothing else.
I did a set at
the top of the gig, which Glyn insisted went really well, but it was hard for
me to pass judgement, as I could barely tell if I was talking over a laugh or
timing things well. I guess this was where my month in Edinburgh came into play
and saved me, but it was still a very surreal experience. It felt so extreme
that I came off stage practically burning up thanks to the intense
vulnerability of doing stand-up with one of your leading senses failing you.
Putting my aural
situation to one side, tonight’s show was undoubtedly one of our all-time best.
Reginald D Hunter absolutely stormed it (despite performing on crutches due to
a broken leg); as did Neil McFarlane: a lovely guy and an exceptional comic,
who hasn’t played the club in five years due to some sort of administrative
oversight; we promise it won’t happen again. It was so good, we even had a
small yet potent standing ovation, the like of which we haven’t seen since Rory
Bremner in October of last year. It was all a bit surreal really but it was a
lovely thing - and it was another show to put Mostly Comedy on the map.