Skip to main content

Climb Ev'ry Mountain.


One thing I never cease to be surprised by, despite the fact I should know better by now, is how much my job requires requires a thick skin.

I regularly feel like I’m swimming against the tide at the moment, particularly in the lead up to Edinburgh. Yesterday, I raced to put together a clip of live material to send to a publicity person who requested to see more of my work (forewarning it was a little rough around the edges) to receive a polite reply today, praising my confident performance, but being less enthused about the content.

While this sort of thing is par-for-the-course, it can still be a gentle slap to the face when you put so much time into self-generation of work with little perceived outside encouragement. I know I’m capable and better at what I do than I’m occasionally given credit, due to little outside accreditation for my comedy - no-one has yet taken the bite and helped me out - but there are times when it’s hard to keep positive and striving ahead when you keep pushing at metaphorical pull-doors.

Mostly Comedy’s another case in point, when you put a lot of time into something that keeps growing, yet it still gets ignored by the local press. I’m proud of how in eight and half years we’ve gone from a tiny room about a pub to selling out a 150-seater venue nearly every month, yet no-one outside of our regulars seems to grasp this, or want to praise or promote it. Then, just when you think you’ve got all the admin sorted, a setback comes up (like having to change the date of our Angelos & Barry gig in May yesterday) that sends you back to the drawing board to keep faffing away.

The key is to keep doing it, and not be swayed by the challenges. I’ve been very lucky with work since leaving drama school fifteen years ago, and have done many things I would never have expected. Things just feel harder when you have to keep stoking the boiler of your own perseverance; what doesn’t kill you makes you stronger, or so the clichéd maxim says.

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Hitchin is Mine.

As of six o’clock tonight, I take over the Hitchin is Yours Twitter account for a week; a stewardship I’m anxious to get right. I’m proud of my hometown. It’s a great place to live, with so much going for it. I've always sold it to my non-Hitchinite friends; so much so, that a lot have gone on to move here. Any town expansion plans are partly my fault. Feel free to picket outside my house. I love its history and architecture. Take St Mary’s Church, for example. The building is beautiful inside and out, and huge for a town of our size. There has been a place of worship on site since the 7 th Century. Much of the present building dates from the 1300s. You wouldn't get that in America. (Don't forget the British Schools Museum too.)  Hitchin is a hive for creative people and a hub for the arts. It boast two theatres, two comedy clubs, a couple of art galleries, a festival for world music and a thriving music scene. This drew...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...