Skip to main content

'University Challenged 2017/18: Volume Five (21.08.17)'


After a couple of weeks of gentle, less attention-grabbing characters, it was nice to see a few choice classics crop up on tonight’s University Challenge.

Firstly, we had the most likely contender for a mass murderer of the series thus far. Then there was the inevitable man-child, whose face has yet to be graced with such a thing as a five o’clock shadow. We also had the smug, yet maladjusted loner who might possibly get in league with the aforementioned murderer if not kept apart by another stock character: the Victorian gent; what makes it worse is, the four people I’ve mentioned were all in the same team (see if you can work out which).

See below for tonight’s UC tweets from me:

York Vs. Warwick (21.08.17)


8:02PM: de Sousa hasn't been born yet.

8:04PM: Bindler: MURDERER.

8:05PM: Salter is the lovechild of Hugh Fearnley-Whittingstall and James May.

8:07PM: Bindler wouldn't let you search his lock-up without a warrant.

8:08PM: Maier's "I've fucked up" face.

8:11PM: Longworth owns a Penny-farthing.

8:13PM: Bindler arrives at your flat at twenty past midnight, sweating, covered in blood, demanding you act as his alibi.

8:13PM: Maier, son of Angelos Epithemiou.

8:15PM: Longworth owns a fob-watch.

8:15PM: Maier's celebration face-and-stance. Pleasant.

8:18PM: You wouldn't usually see York's contestants in the same room, let alone the same team.

8:22PM: Keep it on the down-low, but I think Warwick will win.

8:24PM: Maier has a slight air of a young Brian Wilson about the face.

8:25PM: I'll show you my 'lady chapel'.

8:27PM: Salter's a crested tit.

8:28PM: Maier's tache isn't a tache.

8:29PM: Did Maier just do a sarcastic salute? Maier just did a sarcastic salute.

Popular posts from this blog

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...