Skip to main content

Pressure Cooker Me.


I put too much pressure on myself. 

I've always been driven. It's a blessing and a curse. Conversely, I'm instinctively lazy. This combination of apathy and propulsion may seem incongruous. It goes back to my original point; it may not be that I'm lazy, just that I'm never happy with what I've done. 

Even my blog is a case in point. Rather than being content to write something now and then when the mood took me, I told myself I had post something every day. If I didn't do this I wasn't doing enough. Reaching the milestone of my first year was satisfying, but this sense of pride was temporary; I instantly turned my mind to completing year number two. 

I've always had high expectations. When I was in a band as a teenager, I told myself that we had to be as big as The Beatles or I would have failed. It was as black and white as that, with no room for shades of grey. This all-or-nothing mindset was ridiculous in hindsight. 

The band started to do well around the time I left drama school. I was then offered a job as lead guitarist on a No. 1 tour. This led to another job, playing my hero Paul McCartney. The other band members grew tired of waiting for me and the band dissolved. I had to face up to the fact that the thing most important to me had ended of my own volition.

This ate me up for a few years. Then I started to edge away from music, towards comedy. This gave me new drive. With it, came a whole new set of expectations, aspirations, pressures and deadlines.

To be fair, I’ve been quite fortunate. I’ve had some great opportunities come my way that probably only happened because I was striving for something else. I never wanted to be an actor / musician (a horrible cut-and-shut job title, seen by many to mean you're not competent enough to do either aspect on its own), but it led me to front shows in theatres up and down the country, and got me into the West End. I never thought I’d attempt stand-up or run a comedy club and yet I stumbled into it. All these things left me feeling like a blagger and a bullshitter; like someone who'd snuck into a hospital with a scalpel and a white coat, manages to convince everyone he's a surgeon, then spends the rest of his life waiting to be found out. 

(I think I just accidentally paraphrased the plot to Catch Me If You Can.)

I constantly flit between thinking I'm good at what I do and thinking I'm awful. This frustration spurs me on, yet holds me back. I'm seldom in the moment; I'm already thinking about what I have to do next. It’s exhausting. If I could enforce one change in my life it would be to take a step back: to see what’s happening around me and to worry less.

This probably sounds horrifically self-serving and all ‘woe is me’. I know I could be a lot worse off. It may even come across as smug, arrogant, or like I’m looking for pity. I hope not. There I go again, over-thinking what I do. You should see how much angst I put into making a sandwich.

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

"Speaking Words of Wisdom, Let it Shine."

Tonight saw the second instalment of BBC1’s latest advertise-a-musical-for-months-and-then-cast-it-with-performers-too-inexperienced-to-do-it-a-thon ‘Let it S̶h̶i̶t̶e̶ Shine’ (or as I call it: ‘REAL AUDITIONS ARE NOTHING LIKE THIS’). I didn’t watch it (clearly), but being reminded of how angry seeing just five minutes of it made me last week caused me to mull over what I would call a musical based on the band’s songbook, if I was responsible for it. Here are a my suggestions: IDEAS FOR TITLE OF A TAKE THAT MUSICAL: Barlow! Dirty Fat-Dancing Orange! A Million Love-changes-everything Songs Owen! Howard's End Pray Misérables Mamma Marka! Babe (with a pig as the lead) …BUT MY FAVOURITE HAS TO BE: Jason & His Amazing Technicolour Dreamcoat. "It was Orange, Orange, Orange, Orange..." (TAKE) THAT’S ENOUGH OF (TAKE) THAT.