Skip to main content

Crappest Maracas.


  
I bet I know what happened. 

There's only so many common faults a batch of maracas* can have. Either the stems all snapped or the innards burst forth. The latter is an amusing image.

I can picture each maraca-buyer** skipping home, delighted with their purchase and desperate to try them out. I said ‘them’ then rather than ‘it’ because they’d never be sold singly. Owning one maraca is weird.

Imagine the glee on the purchasers’ faces as they stand in their respective kitchens, taking their big scissors to the plastic packaging to free the percussion that lurks within; their happy looks soon switching to frustration when the shrink-wrap puts up a fight. I just wish I hadn’t discussed these people in plural as it confuses the image.

How many shakes did it take to release the beans? Was it enough to constitute a rhythm? It would turned their kitchen floor into a death trap. You don't get that with castanets.

I once saw this when I was out walking.



A lonely maraca lurking in the undergrowth is a sorry sight.

*collective term.
**The current US President. 

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Hitchin is Mine.

As of six o’clock tonight, I take over the Hitchin is Yours Twitter account for a week; a stewardship I’m anxious to get right. I’m proud of my hometown. It’s a great place to live, with so much going for it. I've always sold it to my non-Hitchinite friends; so much so, that a lot have gone on to move here. Any town expansion plans are partly my fault. Feel free to picket outside my house. I love its history and architecture. Take St Mary’s Church, for example. The building is beautiful inside and out, and huge for a town of our size. There has been a place of worship on site since the 7 th Century. Much of the present building dates from the 1300s. You wouldn't get that in America. (Don't forget the British Schools Museum too.)  Hitchin is a hive for creative people and a hub for the arts. It boast two theatres, two comedy clubs, a couple of art galleries, a festival for world music and a thriving music scene. This drew...