Skip to main content

Mostly Herring.


Tonight’s Hitchin Mostly Comedy was fun.

Me at March 2014's Mostly (Photo by Gemma Poole).

I’ve always been proud of the club, but recently it's definitely had a boost. The acts we’re booking just get better by the month. It’s exciting to guess who we might get next.

Tonight we had Richard Herring, who is easily mine and Glyn’s favourite stand-up. His work ethic is immense. You can’t help but be impressed by how much he churns out.

Richard Herring (Photo by Gemma Poole).

We fitted in a nice relaxed chat for our podcast. Interviewing someone who is essentially ‘Mr Podcast’ should be intimidating, but he makes it very easy. 

We talked about his recent Leicester Square Theatre Podcast interview with star of The Simpsons and Spinal Tap, Harry Shearer; someone who we have also gigged with in the past. He told us how excited he was to be in the company of someone he really admires, which was ironic, considering the context.

We also had Matt Green on the bill, who is another excellent stand-up. His control of the room is impressive. Catch him if you can.

Matt Green (Photo by Gemma Poole).

It was also a good gig for us. We tried out a bit of new material that we’d worked up during the day, which has potential. We plan to get back into the swing of doing something new each month – and then working the best bits into our hour-long show.

(An hour-long show that currently clocks in at forty minutes.)

Next month we have star of  I'm Alan Partridge - and just about every comedy programme of the last twenty years - Kevin Eldon. Don’t forget to book your tickets.
Labels:

Popular posts from this blog

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...
Read more

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...
Read more

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...
Read more