Skip to main content

A Brief Hiatus.


An exercise that I regularly turn to when I’m feeling stressed, anxious, or need to focus my mind, is the Three-minute Breathing Space.



It’s a technique that was suggested to me by my mediation teacher, who pointed me in the direction of the recording above, which I have saved on my phone in case of emergencies (e.g. when I need to work up the right state of consciousness to levitate across the Ganges). What’s great about it is it doesn’t take long, hence the time span in its title; it’s something you can fit in at any point in the day, without getting in the way of your schedule, so you can’t use busyness as an excuse. 

As someone who is used to breathing exercises and vocal warm-ups, it was no big stretch to add a technique of this sort into my forte. It’s very useful when you need a moment to reset your brain or focus on a task ahead. While the guided meditation clip above is excellent and perfect for the job, you don’t always need to listen to it; you can go through the same process in your head – though like many things in life, you get more out of it if you do it regularly.

Next time you need to take a quick mental breather, why not give it a go? I recommend it wholeheartedly. I did it before all of my stand-up shows in Brighton and, by God, did it make me funnier. I even did it before writing this blog knowing I’d go on to discuss it. See: I practise what I preach.

Tomorrow, I’ll teach you how to improve your posture with a process I've devised, called the Ephgrave Technique.  The estate of Frederick Matthais Alexander had better have their lawyers at the ready.

Popular posts from this blog

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...