Skip to main content

How Did it Go?

I sometimes find it hard to hold an accurate representation in my head of how a gig went.

Tonight was a good case in point. I did a five minute spot at a new material night. I was second on in the second half, following one of the most hate-filled acts I've ever seen. The MC even introduced him as such. It was a character act, well-observed and well-delivered, yet almost impossible to follow, with such a short set. I became a space-filler while people got their breath back. I know my place. 

If I'd realised before, I would have planned a more attacking, energised set. As it was, I'd decided to go with some of my gentler, story-based material. In the few minutes before going on, I mulled over whether to adapt. I decided to stick with it. My intention had been to work some newer stuff in, so work it in I must. 

As I stood at the mic, I became aware of the vacuum I needed to fill. The audience seemed quiet and tired, and I felt like I wasn't getting the story across. I knew the reason for it (the previous act had been shouting in people's faces how he'd gargle their cum, while I was talking about my childhood hatred of the Bleep Test. It couldn't be more ying-yang). 'Fuck it', I thought. I'd been building up to this five minutes all day, for it to be scuppered by my own morale, and my position in the line-up. 

Thankfully, I made a point of recording it. The promoter edits together a video of your set for a fiver, which is invaluable - but because I'm aware of the time frame to get my show together, I thought I'd document it myself as well. I just listened back to it on the train. It got laughs in most of the places I wanted. It got a good reaction, considering the bile it followed. 

If only I paid more attention at the time, and didn't cut myself up. It's bizarre how I seem to be capable of timing laughs, while also not being aware of them. At least I'd done what I'd set out to do, and got a reasonable response for perhaps my gentlest bit of material. I also ate some exceptional Pad Thai at the slipperiest-floored restaurant of all time, by Putney Bridge. That said, I also had to get a taxi from Stevenage to Hitchin, because a train in front of us had broken down. Overall, it was a win / lose / draw situation.

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Stevenage: A (Tiny) River Runs Through it.

If ever a river was mis-sold, it’s the Roaring Meg in Stevenage. I just walked past it on my way to the retail park that has taken its name. They’re similarly uninspiring. The river is less of a roar and more of a dribble; cystitis sufferers produce greater flow. The retail park is soulless. What was once a thriving enterprise is nearly devoid of atmosphere, save an underlying essence of emptiness and despair. With a Toys R Us. When it was first built I was excited. Back then, the thought of a bowling alley, an ice rink, a Harvester and a Blockbuster Video within a small surface area was enticing. I celebrated many birthdays on site. There was an indoor cricket pitch there for a while where I once had a joint party with a friend. Why someone with an almost pathological fear of sport would agree to such a venture is beyond me, but I did it. Now, there’s very little at the Roaring Meg of note. The river would be a metaphor for the shopping ce...

Comedy That's Worth a Letch.

Today, I nipped to Letchworth to meet with illustrator (and one-time - two-time - comedy poet) Mushybees, to discuss an event Mostly Comedy will act as surrogate parents to as part of Letchworth’s Arts Takeover in a couple of weeks. Months ago he got into contact to see if we’d be up for co-organising a comedy stage as part of Letchworth’s weekend of arts-based attractions in July; something I’d provisionally said yes to, before things got hectic in the lead-up to Edinburgh and we didn’t take it any further. Despite not getting down to the nitty-gritty straight away, we managed to pull a line-up together in a back-and-forth of emails yesterday, leading to me getting Glyn’s blessing and us deciding we’d officially go ahead with it (whatever ‘officially’ means in this context). In reality, it’s not complicated: from 12pm until 6pm-ish on the 22 nd July, Glyn, Mushybees and I will host four Edinburgh previews from four acts (including me), before Nor...