Skip to main content

Missed Mantras.

I've got a little lapse with my meditation recently, which is stupid really as it's one of the most beneficial things I do.

While I used to go to classes and have turned to various sources online for guided meditations in the past, by far my most frequent port of call is the app Headspace, which I've subscribed to for a couple of years now and would highly recommend to people from either end of the experience spectrum, from novice to guru. Anyone put off by the thought of a paid-for app would soon be bowled over by the amount of content available and how good it all is. As someone prone to suffer from insomnia in the past, I'd say it's almost worth subscribing just for for the meditation to aid sleep alone, which I used almost daily until recently, and have seldom remained conscious throughout; it's like audio chloroform.

One way Headspace encourages you is by keeping track of how many days straight you've practised, as a kind of showing-off-to-yourself incentive. I find this sort of thing both good and bad as it's nice to feel you're keeping on top of it, though at the same time, it can make you feel you've let the side down when you miss a session or two.

Thanks to Headspace, I managed to keep up daily meditation for at least two years (which is no mean feat) though this started to slip over the past few weeks as life got in the way. I'm frustrated by this, which somehow compounds it, as while it doesn't mean anything if I miss a day or two, someone like me who's very hard on themselves can't help but measure themselves by what they didn't do against what they did. 

All I need do is get back in the habit and not just turn to it when I'm looking to focus my mind before a gig. Meditation's such a force for good, it shouldn't be forgotten. I'd recommend it to anyone asks; it's just a shame no-one asks me.

Popular posts from this blog

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...