Skip to main content

Vintage Drum and Bass.


It’s not every day you get to see half The Beatles jam onstage with a Rolling Stone, though in my case, I got to see this yesterday.

It was the undeniable icing on the cake to a typical (or atypical) three-hour Paul McCartney gig at the 02, marking the seventh time I’ve seen him live (if you don’t count the two times I briefly met him and the occasion I saw him looking out of the window of his Soho offices; I AM NOT A STALKER). Every time I attend a Macca concert I can't help but wonder if it'll be my last, a thought that gains likelihood as the years roll by, but last night’s show certainly proved there’s plenty of energy in the old Moondog yet as he showed stamina that'd put most performers half his age to shame; and if he chooses to bring out Ringo for a Fabs’ rhythm section reunion rendition of ‘Get Back’ as an encore then who am I to argue?

(The Rolling Stone, in case you were wondering, was Ronnie Wood.)

While I enjoyed last night’s show, I still find his setlist frustrating, when so much of his solo catalogue remains unrepresented. That’s not to say I don’t appreciate how difficult it must be to please everyone when you have one of the largest, most widely-acclaimed discographies to call on, particularly when the majority of a stadium crowd are probably casual fans who'd be more interested in Abbey Road than Egypt Station. Actually, even the hard-to-please like me could see last night’s set was pretty varied, plus it was great to see him backed by a real brass section again (the last time he toured with one was before I was born, which is frankly a bit ridiculous).

One thing I found hard to note was the obvious deterioration in his voice in the five years since I saw him last, which comes mostly from his choice to still play much of his earliest, most demanding material in the original keys; the irony is if he were to play more of his recent material he’d more likely not expect so much from those pipes that are now pushing 80. While it’s completely natural for his voice to change it’s sad to hear what was once so effortless sound strained. And while he’s still a consummate performer who puts on one hell of a show, I miss the effortlessness with which he used to riff with his melodies and throw out those high notes like it was the easiest thing on Earth; the man was always to talented for his own good.

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

Stevenage: A (Tiny) River Runs Through it.

If ever a river was mis-sold, it’s the Roaring Meg in Stevenage. I just walked past it on my way to the retail park that has taken its name. They’re similarly uninspiring. The river is less of a roar and more of a dribble; cystitis sufferers produce greater flow. The retail park is soulless. What was once a thriving enterprise is nearly devoid of atmosphere, save an underlying essence of emptiness and despair. With a Toys R Us. When it was first built I was excited. Back then, the thought of a bowling alley, an ice rink, a Harvester and a Blockbuster Video within a small surface area was enticing. I celebrated many birthdays on site. There was an indoor cricket pitch there for a while where I once had a joint party with a friend. Why someone with an almost pathological fear of sport would agree to such a venture is beyond me, but I did it. Now, there’s very little at the Roaring Meg of note. The river would be a metaphor for the shopping ce...