Skip to main content

The Modern Nonconformist.


The internet sometimes conspires to make you feel like an outsider.

This is particularly the case if you opt out of the horrendous social media conventions we’re all expected to be a part of. Facebook’s the big ugly one for me; I joined it a few years after it started, largely to help promote mine and Glyn’s first Edinburgh run in 2008. Once on it, I’d use it both as a chance to try out jokes (as that’s always been my way) and to keep in touch with friends - though before long, my friend list stretched far further than just the people I was close to, to people I’d only just met; it turned new friendships into acquisitions with a Pokémon “Gotta Catch ‘Em All” aftertaste.

A few years later, I deactivated my account because it felt unhealthy. Every so often, I restart it, but each time I do, it makes me feel more out of step, and if the algorithms don’t add up and my posts are missed, I wind up feeling lonely too; so much for bring people together.

I’ve seen friendship groups I was once a part of continue without me. I’ve seen people who used to interact with me gradually stop. Suddenly, my priorities feel very different, and the fact I'm in a minority makes me feel out of step. It like shouting in vacuum: the silence is deafening.

The problem with this sort of internet presence is everyone’s trying too hard, and I include myself in that. As much as I don’t want to play the game, it’s almost impossible to not judge myself by its parameters. If I say something on Facebook or Twitter and no-one responds, I feel isolated, and this isolation compounds to makes me feel like I’m on the other side of soundproofed glass.

That’s why I’d sooner keep things simple and remain in a small friendship group; the bigger your social network, the more lost in the crowd you become. It’s why companies like Facebook seem so irresponsible to me; Mark Zuckerberg's got a lot to answer for (though at least he pays his tax...)

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Stevenage: A (Tiny) River Runs Through it.

If ever a river was mis-sold, it’s the Roaring Meg in Stevenage. I just walked past it on my way to the retail park that has taken its name. They’re similarly uninspiring. The river is less of a roar and more of a dribble; cystitis sufferers produce greater flow. The retail park is soulless. What was once a thriving enterprise is nearly devoid of atmosphere, save an underlying essence of emptiness and despair. With a Toys R Us. When it was first built I was excited. Back then, the thought of a bowling alley, an ice rink, a Harvester and a Blockbuster Video within a small surface area was enticing. I celebrated many birthdays on site. There was an indoor cricket pitch there for a while where I once had a joint party with a friend. Why someone with an almost pathological fear of sport would agree to such a venture is beyond me, but I did it. Now, there’s very little at the Roaring Meg of note. The river would be a metaphor for the shopping ce...

Comedy That's Worth a Letch.

Today, I nipped to Letchworth to meet with illustrator (and one-time - two-time - comedy poet) Mushybees, to discuss an event Mostly Comedy will act as surrogate parents to as part of Letchworth’s Arts Takeover in a couple of weeks. Months ago he got into contact to see if we’d be up for co-organising a comedy stage as part of Letchworth’s weekend of arts-based attractions in July; something I’d provisionally said yes to, before things got hectic in the lead-up to Edinburgh and we didn’t take it any further. Despite not getting down to the nitty-gritty straight away, we managed to pull a line-up together in a back-and-forth of emails yesterday, leading to me getting Glyn’s blessing and us deciding we’d officially go ahead with it (whatever ‘officially’ means in this context). In reality, it’s not complicated: from 12pm until 6pm-ish on the 22 nd July, Glyn, Mushybees and I will host four Edinburgh previews from four acts (including me), before Nor...