Skip to main content

Megamegamegaladon.


While most people were out watching the fireworks tonight, I was at home, watching 3-Headed Shark Attack.



It was the perfect follow-on to BBC2’s Autumnwatch, and just as naturalistically accurate. I assume it was based on a true story; one that presented such a genuine potential threat to humanity that getting the film out as soon as possible took precedence over the quality of the production, the direction or the acting in it. I could fashion a makeshift representation of a man out of Play-Doh with my feet that would be more capable of a subtly-nuanced and convincing performance than any of the cast – and I wouldn’t even take my shoes off first. 

(What I’m saying is, "They weren't very good".)

By calling the follow-up to 2012's classic '2-Headed Shark Attack' '3-Headed Shark Attack', the film-makers misunderstood the concept of a sequel. You usually put the number indicating where it fits in the franchise sequence at the end of the title, not the beginning. What if they want to release a third installment without an extra bonce? They’d have to call it '3-Headed Shark 2', which wouldn’t take into account that it was actually part three, and that it also isn’t related to the 'Shark Attack' series. If only they’d used a word instead of a digit.

(Or just not bothered making it.)

I didn’t get very far into the film in the end. There are only so many whiny American models you can stomach watching act before you want to swallow your own tongue in protest; even when they’re being picked off one-by-one by a CGI’d triple-header. It’s worse than Jaws 3-D. 

The tagline for the film is ‘More Heads, More Deads!’, which doesn’t even make sense.


Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

Stevenage: A (Tiny) River Runs Through it.

If ever a river was mis-sold, it’s the Roaring Meg in Stevenage. I just walked past it on my way to the retail park that has taken its name. They’re similarly uninspiring. The river is less of a roar and more of a dribble; cystitis sufferers produce greater flow. The retail park is soulless. What was once a thriving enterprise is nearly devoid of atmosphere, save an underlying essence of emptiness and despair. With a Toys R Us. When it was first built I was excited. Back then, the thought of a bowling alley, an ice rink, a Harvester and a Blockbuster Video within a small surface area was enticing. I celebrated many birthdays on site. There was an indoor cricket pitch there for a while where I once had a joint party with a friend. Why someone with an almost pathological fear of sport would agree to such a venture is beyond me, but I did it. Now, there’s very little at the Roaring Meg of note. The river would be a metaphor for the shopping ce...