Skip to main content

That Day is Done.

Perhaps the most touching moment at my dad's funeral yesterday was when a member of his art club gave me this sketch of him she drew in the late 90s and had kept hold of all these years. Seeing his face when I opened the folder made me cry, predictably. 


I know it's an obvious thing to say in the circumstances and being given the drawing underlined it, but I want him back. The last few years were overwhelmed by his illness and robbed us of time, both during and after it. The breaks in the clouds were few and far between and, while we did all we could to steer him through what we could control, we were ultimately defeated, which is a shit way to end the story, but then that's life. And now I'm trapped in a situation I know would have upset him deeply that I have to navigate in his memory and could do without the pressure on top of the grief. But that's a story for another time.

There was a lot to treasure yesterday, despite the difficultness. Firstly, the church was packed. In the last few days, I received numerous emails from his friends and colleagues, many of whom were shocked to hear the news and planned to be there. Two guys he worked with when he briefly disappeared to Scotland to test the telecommunications on a Navy destroyer (as you do) drove all the way from Bristol to attend. In the pub afterwards, I chatted to everyone from a man who used to get on the back of his motorbike with him when they were teenagers to a few of the mates we went on holiday with when I was younger, and everyone only had good words to say. This kindness helped. 

My main focus until I reached it was to deliver a eulogy that would do him justice and make him proud, and I'd like to think I did that. It was a performance to him, really, as I knew he'd be on my side. He'd given me so much encouragement after comedy gigs through the years, so I knew he would have appreciated and enjoyed it. Once I got past it, the enormity of the occasion began to seep through, but this was only natural. Losing your dad isn't easy; especially one as supportive as mine.

Popular posts from this blog

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...