Ebony and Ivy.
This afternoon I met with my lovely PR, Paul Sullivan, at The Ivy, ostensibly to discuss plans for pushing this year's Edinburgh show, but more than anything, to have a bit of a catch-up.
Inevitably, much of the conversation centred on the loss of my dad and everything that's gone with it, to which Paul offered some sound advice. I'd like to be in a situation where it didn't dominate everything I do, though it's inevitable what with it being so recent. I just try to embrace it, particularly when I'm with someone who really gets it, as Paul does.
While we didn't talk about the show massively - there's not much to talk about yet, to be honest - seeing him gave me a little burst of confidence about what lies ahead. I told him how I knew full well it won't be as well-rounded as last year's show, which I was quite proud of, but that doesn't mean it can't still be enjoyable if I keep it simple. I'll just call on some of the set pieces that worked best from the last four shows and keep my head down, so I can come back in 2020 (Christ) with something new and more substantial; I look forward to that.
Inevitably, much of the conversation centred on the loss of my dad and everything that's gone with it, to which Paul offered some sound advice. I'd like to be in a situation where it didn't dominate everything I do, though it's inevitable what with it being so recent. I just try to embrace it, particularly when I'm with someone who really gets it, as Paul does.
While we didn't talk about the show massively - there's not much to talk about yet, to be honest - seeing him gave me a little burst of confidence about what lies ahead. I told him how I knew full well it won't be as well-rounded as last year's show, which I was quite proud of, but that doesn't mean it can't still be enjoyable if I keep it simple. I'll just call on some of the set pieces that worked best from the last four shows and keep my head down, so I can come back in 2020 (Christ) with something new and more substantial; I look forward to that.