Skip to main content

Maybe I'm Dismayed.


I watched Paul McCartney’s performance of Maybe I’m Amazed on the Saturday Night Live 40th Anniversary Special today with my head in my hands. It made me want to cry, and not for the right reasons. 

It’s no secret that I’m a big McCartney fan. His work ethic and output continues to inspire me. If you’ve only seen his unsurprisingly Beatle-heavy public appearances in recent years you wouldn’t know it, but he’s still a diverse and highly-creative artist. His albums over the last decade have been, for the most part, excellent. Check out 2005’s Nigel Godrich-produced Chaos and Creation in the Backyard, or 2008’s largely improvised ambient / electronica / psychedelic rock album Electric Arguments (made with producer and Killing-Joke-bassist Youth under the pseudonym The Fireman) for starters. If you haven’t time then read the reviews, which are mostly glowing.

His live shows are great. He plays for nearly three hours without pausing for a sip of water. I'm not saying this is a hallmark of a good performer – there’s nothing wrong with being hydrated – but his stamina is impressive. You'd never think you were watching a seventy-two-year-old.

Despite his love for forging into new ground, each time he does a show that's widely televised he tends to lean on the songs he wrote forty or fifty years ago, many of which no longer comfortably sit in his range. Maybe I’m Amazed is the biggest culprit. It’s so high, only dogs should be able to hear it.

It’s no wonder it’s now a challenge. He had an exceptionally wide vocal range as a young man. He still has for his age, but the chances of a seventy-two-year-old replicating the vocal fluidity of a twenty-eight-year old are unlikely. Why does he bring it on himself? Why did he choose a song he can no longer manage unless the wind blows in the right direction? And why will nobody tell him? If they do, why won't he listen?

(I suppose it's hard to put an ex-Beatle in his place).

These are the things which stoke the public's perception that he can no longer sing. He seems to keep walking into it. It's like a delusion. It makes me sad. He's so much better than what he presents; what he can almost get away with in a live setting is painfully exposed on television. I dread to think how many million people watched it.

Come on, Macca. Embrace your age. Sing the songs that fit your voice, or you've written recently, rather than trying to do something you might not be able pull off. Change a few keys to suit your current register. There’s no shame in this. Everybody does it. Maybe I’m Amazed is defining moment of your career, but I’d much rather people remembered how effortlessly you sang it in the Seventies than saw you struggling to keep control of it now.


Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Comedy That's Worth a Letch.

Today, I nipped to Letchworth to meet with illustrator (and one-time - two-time - comedy poet) Mushybees, to discuss an event Mostly Comedy will act as surrogate parents to as part of Letchworth’s Arts Takeover in a couple of weeks. Months ago he got into contact to see if we’d be up for co-organising a comedy stage as part of Letchworth’s weekend of arts-based attractions in July; something I’d provisionally said yes to, before things got hectic in the lead-up to Edinburgh and we didn’t take it any further. Despite not getting down to the nitty-gritty straight away, we managed to pull a line-up together in a back-and-forth of emails yesterday, leading to me getting Glyn’s blessing and us deciding we’d officially go ahead with it (whatever ‘officially’ means in this context). In reality, it’s not complicated: from 12pm until 6pm-ish on the 22 nd July, Glyn, Mushybees and I will host four Edinburgh previews from four acts (including me), before Nor...

Stevenage: A (Tiny) River Runs Through it.

If ever a river was mis-sold, it’s the Roaring Meg in Stevenage. I just walked past it on my way to the retail park that has taken its name. They’re similarly uninspiring. The river is less of a roar and more of a dribble; cystitis sufferers produce greater flow. The retail park is soulless. What was once a thriving enterprise is nearly devoid of atmosphere, save an underlying essence of emptiness and despair. With a Toys R Us. When it was first built I was excited. Back then, the thought of a bowling alley, an ice rink, a Harvester and a Blockbuster Video within a small surface area was enticing. I celebrated many birthdays on site. There was an indoor cricket pitch there for a while where I once had a joint party with a friend. Why someone with an almost pathological fear of sport would agree to such a venture is beyond me, but I did it. Now, there’s very little at the Roaring Meg of note. The river would be a metaphor for the shopping ce...