Skip to main content

Insufficient Baggage.


I’d like to live in a world where my bag isn’t just big enough to fit the things I need to carry in it, provided I don’t want to take anything out at any point.

It’s the ultimate status-lowerer. It’s intensely frustrating. Filling it is akin to a game of Tetris; there’s a very specific method to take, and Lord help you, should you attempt to deviate from it. As soon as I’ve slid my laptop in (I say ‘slid’; it’s more of a fifteen-stage force), there’s scarcely room for anything else. I then squeeze in my umbrella, knowing there’ll be no hope of extricating it quickly in the case of a sudden downpour. It would be easier getting it out if it was encased in concrete.

(I exaggerate for borderline comedic effect).

The simple answer to my problem would be to buy a new one. This relies on me having the funds to do it. I bought this one in a state of emergency and haven’t yet had the requisite cash to replace it. Such is the life of a professional actor / comedian / pauper.

My evil bijou bag struck at least twice today. The first instance was when I visited the venue for Saturday’s work-in-progress gig. I was ostensibly there to check their in-house projector worked, and to have a quick fiddle with the lights. I had a thirty-minute window to suss things out before I had to leave for another gig; half an hour that was mostly disastrous. I couldn’t get the screen to stay down. It took me forty-five minutes to get the projector to pick up a signal from the computer. The moment I got it vaguely working, Martinfrom EastEnders walked in. He was helpful, but we were talking at crossed purposes. I think I came out of the conversation looking bit of a dick.

Martin left, confused. Then, just as I was trying to fit my belongings back into my bag in order, which meant taking everything out - tangerine, book, bottle of water, HDMI adapter, audio lead, umbrella, keys, tiny travel deodorant, notebook, pens etc. - people started filing in for their next class. I was kneeling over my bag, sweaty and stressed. I looked like I was playing one of those ‘guess which item I’ve taken away’ parlour games. One of the actors offered me a prawn cracker. I think he’d taken pity in me.

I had similar problems at tonight’s gig. There I was, on my own, trying to be inconspicuous, with a bag fit to burst at any moment. It didn’t help that I’d rushed to the venue, having stuffed everything back in at The Actors’ Temple, in fear that another familiar soap opera face would walk in to discover my undersized bag shame. Oh, to be normal and financially solvent.

At least the gig went okay. Not the best, but by no means the worst. I’m writing this on the train home, fully aware that when I finish, I’ll have to remove everything from my bag to put it my laptop away. The train;s absolutely packed. Life.

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

"Speaking Words of Wisdom, Let it Shine."

Tonight saw the second instalment of BBC1’s latest advertise-a-musical-for-months-and-then-cast-it-with-performers-too-inexperienced-to-do-it-a-thon ‘Let it S̶h̶i̶t̶e̶ Shine’ (or as I call it: ‘REAL AUDITIONS ARE NOTHING LIKE THIS’). I didn’t watch it (clearly), but being reminded of how angry seeing just five minutes of it made me last week caused me to mull over what I would call a musical based on the band’s songbook, if I was responsible for it. Here are a my suggestions: IDEAS FOR TITLE OF A TAKE THAT MUSICAL: Barlow! Dirty Fat-Dancing Orange! A Million Love-changes-everything Songs Owen! Howard's End Pray Misérables Mamma Marka! Babe (with a pig as the lead) …BUT MY FAVOURITE HAS TO BE: Jason & His Amazing Technicolour Dreamcoat. "It was Orange, Orange, Orange, Orange..." (TAKE) THAT’S ENOUGH OF (TAKE) THAT.