Skip to main content

Bremner: Bird of Fortune.

Last night, we interviewed the brilliant Rory Bremner for our More Than Mostly Comedy Podcast - the second guest to join us via Zoom since lockdown - for what was a predictably witty and insightful conversation.

Rory, making us laugh with his Michael Howard last night.
While it's fair to say Rory was always on my wishlist, he's someone I would never have dreamt would appear at Mostly Comedy before he did. He's an act like Paul Daniels, John Thomson or Ardal O'Hanlon, who appeals to the kid/teenager inside me, who grew up watching these performers for them to have a formative influence. And as I said to him during our interview, it was his satirical shows of the early-1990s - alongside 'Have I Got News For You' - that first educated & informed me of politics and its innate ridiculousness.

Despite not believing we'd secure an act of his calibre at the club, we were delighted when he first agreed to do it in 2016 and overjoyed when he turned out to be one of the nicest people to grace us with their presence. His first show happened to be the club's eighth anniversary, and I have a strong memory of him joining us for a slice of birthday cake post-gig; standing in the reception of our old venue The Sun as he did a string of impressions in the style of 'Call My Bluff' contestants, using the bell on the desk to trigger each voice. It's a situation I never thought I'd be in, though I was grateful for it.

It was his innate niceness that made me ask if he'd be up for doing the podcast, and he was probably the person I wanted to do it the most. I knew he'd have so much to give to the conversation, not least in these trying times when we need the social commentary. Plus I knew he'd bring a string of voices with him, conjuring them up like a magician pulling rabbits from a hat.

That's not to say that interviewing him isn't intimidating. When you're talking to someone so well-informed, you can't help but worry you won't pull your weight. But while his talent and intelligence makes the whole thing a little daunting, his kind manner puts you at your ease. And while there's so much more Glyn and I wanted to ask, what we covered was still fascinating. Plus he did his Michael Howard, which is always a bonus.

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Hitchin is Mine.

As of six o’clock tonight, I take over the Hitchin is Yours Twitter account for a week; a stewardship I’m anxious to get right. I’m proud of my hometown. It’s a great place to live, with so much going for it. I've always sold it to my non-Hitchinite friends; so much so, that a lot have gone on to move here. Any town expansion plans are partly my fault. Feel free to picket outside my house. I love its history and architecture. Take St Mary’s Church, for example. The building is beautiful inside and out, and huge for a town of our size. There has been a place of worship on site since the 7 th Century. Much of the present building dates from the 1300s. You wouldn't get that in America. (Don't forget the British Schools Museum too.)  Hitchin is a hive for creative people and a hub for the arts. It boast two theatres, two comedy clubs, a couple of art galleries, a festival for world music and a thriving music scene. This drew...