Tell Me It's Not True.
I was once name-checked during a performance of the musical Blood
Brothers.
It’s worth clarifying that it wasn't an official mention. Willy Russell didn't sanction it. It also wasn’t uttered by a Nolan. It may have been a covert name-check, but it was a name-check nevertheless.
I had a friend in the show at the time. I won’t tell you who he was, because I don't want to get Phil Maggs into trouble. One week, Phil played Orchard Theatre in Dartford. I took my dad to see it.
My unexpected aural appearance took place during a scene set in an adult cinema (obviously). I listened to the actors on stage at first, before being gradually drawn toward the pornographic soundtrack.
“Ooh…ahh…uhhh” went the woman in the film.
“Oooh…ehh…Ephgrave” went the man.
It’s worth clarifying that it wasn't an official mention. Willy Russell didn't sanction it. It also wasn’t uttered by a Nolan. It may have been a covert name-check, but it was a name-check nevertheless.
I had a friend in the show at the time. I won’t tell you who he was, because I don't want to get Phil Maggs into trouble. One week, Phil played Orchard Theatre in Dartford. I took my dad to see it.
My unexpected aural appearance took place during a scene set in an adult cinema (obviously). I listened to the actors on stage at first, before being gradually drawn toward the pornographic soundtrack.
“Ooh…ahh…uhhh” went the woman in the film.
“Oooh…ehh…Ephgrave” went the man.
Had I heard that correctly?
"Ephgrave...Ephgrave...EPHGRAVE."
Apparently I had.
It was at this point that I realised the grunting and groaning was coming from an off-stage booth. Phil was one of the two voices. The namedropping became more obvious as the scene progressed. I turned to my dad, who was oblivious.
It’s not every day that you are alluded to in an Olivier-Award-Winning Musical. I wonder if also made it into the GCSE set text.
It was at this point that I realised the grunting and groaning was coming from an off-stage booth. Phil was one of the two voices. The namedropping became more obvious as the scene progressed. I turned to my dad, who was oblivious.
It’s not every day that you are alluded to in an Olivier-Award-Winning Musical. I wonder if also made it into the GCSE set text.