Skip to main content

Dad's The Way, Uh-Huh, Uh-Huh, I Like It, Uh-Huh, Uh-Huh.

The big news is I'm taking a show to Edinburgh this year, and I'm trying to get as much of the admin sorted as swiftly as possible so I can clear time to write it.

As it stands, I'm creaking toward that kicking-off point. The show will be about my dad (the one slated for 2020 until Covid hit and put paid to that), and I'm excited and apprehensive about the task ahead. There's so much I want to get across - as my pages of scribbled notes already testify - but primarily, I want to capture my dad's character so that the audience leaves the room feeling like they just met him, which is no mean feat. And I want to tackle what's it like to lose a loved one without forgetting that the show's a comedy (which, as far as challenges go, is worthy of fully spandexed Anneka Rice).

What's helped so far is the groundwork I did in 2020. For example, I already had a blurb that just needed tightening up. And I've also got a lot of material about him already, which I'm sifting through to see what might work in this context, along with various blogs I wrote as he got more ill. So I feel like I'm at a reasonable starting point. And I intend to use the few work-in-progress dates in the diary to blow a bit of life back into that old material as I re-engage an aspect of my personality that's been hibernating for a few years: i.e. me as a stand-up.

That last bit is perhaps the most challenging. I've come out the other side of events of the past few years feeling like a different person, and my self-confidence took a battering. And my energy's not what it was, though I'm working on it. It's that old maxim about riding a bike: I know how to do it if I can access the right parts of my muscle memory. 

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Comedy That's Worth a Letch.

Today, I nipped to Letchworth to meet with illustrator (and one-time - two-time - comedy poet) Mushybees, to discuss an event Mostly Comedy will act as surrogate parents to as part of Letchworth’s Arts Takeover in a couple of weeks. Months ago he got into contact to see if we’d be up for co-organising a comedy stage as part of Letchworth’s weekend of arts-based attractions in July; something I’d provisionally said yes to, before things got hectic in the lead-up to Edinburgh and we didn’t take it any further. Despite not getting down to the nitty-gritty straight away, we managed to pull a line-up together in a back-and-forth of emails yesterday, leading to me getting Glyn’s blessing and us deciding we’d officially go ahead with it (whatever ‘officially’ means in this context). In reality, it’s not complicated: from 12pm until 6pm-ish on the 22 nd July, Glyn, Mushybees and I will host four Edinburgh previews from four acts (including me), before Nor...

"Heh Heh Heh Helection Half Hour."

Thursday morning’s a time I look forward to, as the episode of Hancock’s Half Hour that was broadcast that week becomes available to listen to on iPlayer, and consequently becomes the soundtrack to my bath. Today was no different, with this week’s instalment being the frighteningly appropriate ‘The Election Candidate'. In the episode, Tony is convinced to stand for parliament as a celebrity candidate (*cough* Donald Trump *cough*) and while it’s definitely one of the best - though let’s face it, pretty much all programmes that exist have stood the test of time wonderfully - my favourite moment has to be when Hancock is asked who’ll he’ll vote for, before he’s convinced to through his own hat in the ring. “Neither of them,” he replies. “I shall show my contempt by going down to the polling booth, taking my form, crossing both their names out and writing ‘get knotted’ in”. (Some things never change.) The episode was first broadcas...