Skip to main content

Radio Ramblings.

I was pleased with the second episode of mine and Glyn's internet radio show 'In Your Inner Ear' when I listened back to it.‎

I heard the first hour when it went out on Sunday (it wasn't live, as I revealed in last Wednesday's blog; I had a gig booked which clashed with the broadcast, which was then cancelled, so I was able to hear it). I listened to this second hour this morning, whilst getting ready. We sounded much more relaxed than we did in the first show. We engaged and connected with each other's stories, which gave them more energy. It zipped along nicely. It was better all round.

Hearing it back (and being pleased with the results) has made me look forward to the next one. We're lucky to have the freedom to do what we want with it, which is a rarity. It should end up as a good showcase for our ability, once we've honed it sufficiently. I've always enjoyed our off-the-cuff stuff - like The Buddy Tapes and our Edinburgh video diaries - the most. We've built up a knack for knowing how to deal with what the other throws at us over the last ten years. We know what makes each other laugh, and always push it to the forefront. It's refreshing to experience that dynamic again, after the last few months of working solo. 

It would be nice to get something out of it. A show on a more established radio station would be nice (as well as; not instead of). I'd quite happily earn my living doing it. For one thing, I needn't worry about getting dressed again.‎

‎
Labels:

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...
Read more

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...
Read more

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...
Read more