How Low Can You Go?
Despite being a bassist for twenty-five years, and probably considering it my first instrument (though that's a bit of a fluid subject), I've only ever owned one bass guitar: my trusty Tanglewood replica of a violin bass. So I think I was entitled to upgrade to a real Hofner, which I finally did this week.
Perhaps it's because it's enjoyable to play. My previous experience with vintage Hofners wasn't good (the last one I used had a neck like a mantelpiece), but the reviews of this model praised it enough for me to take a punt. And the good news is it was worth it. One thing going for my old bass is it's always been easy to play (not least as I learnt to play on it), and my new Hofner is very similar, encouraging the playing style you'd expect from a Beatles bass while being super light and, basically, a better version of the one I already owned, which was what I wanted. And it looks smart (not least for having the correct name on the headstock). Now I just need to sell a kidney to pay for it; I wonder how much I'd get if I offered both as a job lot? Gumtree, here I come (with a freezer bag to hand).
Arty Hofner shot (as it's known in the trade). |
I approached this purchase with guilt and trepidation, as I do when I buy anything significant, despite paying in instalments and not being expensive for what it is. Surely I'm allowed a new bass every quarter-century? Particularly when it's literally* for work. And yet I can't shake the sense that I'm treating myself at a time when money's tight (and that's before today's massive fall in the pound's value on the stock market, which I probably triggered by buying it).
However, I bought it to be better equipped next time some muso work comes up. While my old bass has done remarkably well considering I've been using it since I was a teenager, and it's accompanied me on several tours, it's now a bit battered, and I couldn't keep turning up for gigs with it. It's no longer reliable, much like me. So why do I still feel like I've bought myself a new toy?
Big Day Out, circa 1998, with my violin bass already in action. |
*One of the few times this word is accurate.