Skip to main content

Nandos (i.e. Things Nans Do)

There's a stretch of raised kerb on a bend near where I live that makes me think of my nan (because nothing makes me reminisce about dead relatives more than roadside brickwork). Seeing it ignites a childhood memory of her watching me balance on it like a tightrope walker whenever we went to the post office.

It wasn't exactly the best way to traverse a busy road, though health and safety was a different beast in the 1980s. But I know she kept an eye on me. She was the prototypical nan whose warm presence I can still feel even though she died in 1987. And I have a surprising amount of memories involving her when you consider they all happened before I was six.

She would babysit me when my parents went to White Hart Lane to watch Spurs, which often involved a trip to the local shop. We took that short walk frequently. We'd sometimes visit the nearby playground on the way back, where there was a climbing frame shaped like a spider that's still in action to this day. And when I pass it with my dog, I often wonder what my nan would make of me now and what life would be like if she was still here.

Then there was the time she bought me an advent calendar when we semi-accidentally ate all the chocolates on the first day. It was a moment of shared naughtiness that symbolised the fun we had together. And time in her company was often full of creativity, from impromptu puppet shows to making daisy chains in the back garden. And when I became a big fan of the All Live Pink Windmill Show, she helped me make my very own Emu using the leg of a pair of tights for its head & neck and an old stuffed blouse for the body; Michael Parkinson, beware.

To be aware of the innate kindness of someone who died when you were five is a testament to how strong love can be. I still feel it for her, and in whatever way she still exists, I'm sure she still feels it for me. She was my tightrope-walking safety net in human form, and I still miss her. I hope she'd be happy with the man I turned out to be.

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Stevenage: A (Tiny) River Runs Through it.

If ever a river was mis-sold, it’s the Roaring Meg in Stevenage. I just walked past it on my way to the retail park that has taken its name. They’re similarly uninspiring. The river is less of a roar and more of a dribble; cystitis sufferers produce greater flow. The retail park is soulless. What was once a thriving enterprise is nearly devoid of atmosphere, save an underlying essence of emptiness and despair. With a Toys R Us. When it was first built I was excited. Back then, the thought of a bowling alley, an ice rink, a Harvester and a Blockbuster Video within a small surface area was enticing. I celebrated many birthdays on site. There was an indoor cricket pitch there for a while where I once had a joint party with a friend. Why someone with an almost pathological fear of sport would agree to such a venture is beyond me, but I did it. Now, there’s very little at the Roaring Meg of note. The river would be a metaphor for the shopping ce...

Comedy That's Worth a Letch.

Today, I nipped to Letchworth to meet with illustrator (and one-time - two-time - comedy poet) Mushybees, to discuss an event Mostly Comedy will act as surrogate parents to as part of Letchworth’s Arts Takeover in a couple of weeks. Months ago he got into contact to see if we’d be up for co-organising a comedy stage as part of Letchworth’s weekend of arts-based attractions in July; something I’d provisionally said yes to, before things got hectic in the lead-up to Edinburgh and we didn’t take it any further. Despite not getting down to the nitty-gritty straight away, we managed to pull a line-up together in a back-and-forth of emails yesterday, leading to me getting Glyn’s blessing and us deciding we’d officially go ahead with it (whatever ‘officially’ means in this context). In reality, it’s not complicated: from 12pm until 6pm-ish on the 22 nd July, Glyn, Mushybees and I will host four Edinburgh previews from four acts (including me), before Nor...