Skip to main content

Pressy Wessy Albansy Walbansy.

Another day, another press release - and this one's promoting the second of our forthcoming St Albans Mostly Comedys; come down, if you're that way inclined:


Press Release – 18.03.18

mostly comedy
a monthly comedy club at maltings arts theatre in st albans


The duo behind Hitchin’s successful ten-year-old monthly club Mostly Comedy (DOGGETT & EPHGRAVE) present the second St Albans instalment at the Maltings Arts Theatre on Thursday 31st May with SIMON MUNNERY and ALISON THEA-SKOT.

SIMON MUNNERY is a Chortle Award winner, Barry Award winner, Sony Radio Award winner, British Comedy Award nominee and Perrier Award nominee, who has most recently been seen / heard on Stewart Lee’s Alternative Comedy Experience on Comedy Central, BBC2's Culture Show and Radio 4's News Quiz.
Simon's 31-year stand-up career has seen him regularly perform all over the world and star in several major television and radio projects. He is best known for his characters Alan Parker: Urban Warrior, Buckethead and The League Against Tedium; his genre-bending innovations such as La Concepta (an interactive conceptual restaurant show) and his TV / radio projects such as series BBC2's Attention Scum, Radio 1's League Against Tedium and Radio 4's Where Did It All Go Wrong?

Character comic ALISON THEA-SKOT joins Munnery on the bill, fresh from her two most recent 5-star reviewed sell-out Edinburgh shows 'Some Like It Thea-Skot' and ‘It’s Thea-Skot in Here (So Take Off All Your Clothes)’, which both transferred to London’s Soho Theatre.

Alison is a critically acclaimed actress, comedian and improviser who has featured on BBC’s Culture Show and appeared in The Telegraph's Best of the Fringe, London Is Funny's Top 13 Edinburgh Shows To See and Mervyn Stutter’s Pick of the Fringe lists. Her radio credits include BBC Radio 4’s So On & So Forth and 4 Extra’s Newsjack and her sketches have featured on The Poke, The British Comedy Guide and Chortle online.

The gig is emceed by the “polished, natural comedians” (Camden Fringe Voyeur) DOGGETT & EPHGRAVE, with the first act on at 8:00pm. Tickets can be bought in advance via www.mostlycomedy.co.uk, where you can also book for 3rd May’s show with ARTHUR SMITH and BARRY FROM WATFORD and 5th July’s show with REGINALD D HUNTER and Red Dwarf’s HATTIE HAYRIDGE.

Date:              Thursday 31st May 2018
Venue:           Maltings Arts Theatre, Level 2, 26 The Maltings, St Albans, AL1 3HL.
Time:             Doors at 7:30pm. First act on at 8:00pm.
Admission:   £13.00. More info at www.maltingsartstheatre.co.uk and www.mostlycomedy.co.uk

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

"Speaking Words of Wisdom, Let it Shine."

Tonight saw the second instalment of BBC1’s latest advertise-a-musical-for-months-and-then-cast-it-with-performers-too-inexperienced-to-do-it-a-thon ‘Let it S̶h̶i̶t̶e̶ Shine’ (or as I call it: ‘REAL AUDITIONS ARE NOTHING LIKE THIS’). I didn’t watch it (clearly), but being reminded of how angry seeing just five minutes of it made me last week caused me to mull over what I would call a musical based on the band’s songbook, if I was responsible for it. Here are a my suggestions: IDEAS FOR TITLE OF A TAKE THAT MUSICAL: Barlow! Dirty Fat-Dancing Orange! A Million Love-changes-everything Songs Owen! Howard's End Pray Misérables Mamma Marka! Babe (with a pig as the lead) …BUT MY FAVOURITE HAS TO BE: Jason & His Amazing Technicolour Dreamcoat. "It was Orange, Orange, Orange, Orange..." (TAKE) THAT’S ENOUGH OF (TAKE) THAT.

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...