Strictly Come Tweeting 2017: Week Three (30.09.17)

It's fair to say tonight’s Strictly further cemented my love of Debbie McGee.

Not only is she genuinely lovely (as I can vouch from her visit to Mostly Comedy with her late husband Paul Daniels a few years back) she’s also a brilliant performer, with so much energy, ability and sparkle. It helped that she was dancing to one of my favourite Billy Joel songs, She's Always a Woman, and the routine matched the beauty of the song perfectly, but then it’s not as if she needs the assistance; I hope she remains in the competition for a good few weeks to come so we can enjoy more of her versatility.

Outside of Debbie’s dance, I didn’t really feel tonight’s show so much, though it’s fair to say Alexandra Burke knocked her routine out of the metaphorical park. I also liked Jonnie Peacock’s dance to Johnny B Goode, though I only just noticed the reason for the song choice; I’m a little slow at times...unlike him.

See below for tonight’s tweets:

6:48PM: One thing's certain: when you have an audience made from the general public & live music there'll be on-beat handclapping aplenty.

6:51PM: Tess' trouser/dress mash-up is the clothing equivalent to a cut-and-shut Vauxhall Cavalier sold by a shifty backalley car dealer.

6:54PM: The gratuitous shots of the box of #Strictly cereal during Chizzy's foxtrot is a typical example of BBC product placement.

7:02PM: Aston Merrygold is a village in Essex.

7:05PM: All that keeping hold of Janette while throwing her about was done with magnets.

7:06PM: Stupid beard though.

7:11PM: If I was doing this routine, I'd have stayed in the dock.

7:15PM: Please don't cut to Piers Morgan...please don't cut to Piers Morgan...

7:18PM: Charlotte Hawkins' dress was the glitter sash curtain from Bullseye in a former life.

7:25PM: *Cue a coming-out-of-the-closet joke*

7:27PM: The use of the wardrobe during Joe's routine is the perfect cue for a judge "You came out.." comment.

7:37PM: Bruno Tonioli is fitted with an electronic tag and has a 10pm curfew to keep him in check.

7:39PM: Well, I thought Brian Conley was great.

7:42PM: When Gemma and Aljaž's routine started, I was worried they didn't realise they were facing the wrong way.

7:47PM: Craig Revel Horwood's hair tonight is a bit 'There's Something About Mary'.

7:52PM: The Reverend Richard Coles is the best thing for the Church of England since Henry VIII.

8:02PM: Eamonn Holmes' left hand meeting his right across his waist is similar to the Keymaster meeting the Gatekeeper in Ghostbusters.

8:04PM: When Liverpool play Everton, it's more a case of You'll Never Walk Again.

8:09PM: I've got sperm older than AJ.

8:11PM: "The lights are on, but you're not home": the perfect burglar deterrent.

8:19PM: The length of Oti's legs is an immeasurable distance.

8:23PM: Bruno is filthier than Keith Moon's Uncle Ernie.

8:28PM: Debbie's Viennese Waltz to She's Always a Woman; beautiful song, beautiful routine.

8:35PM: Well, I've never seen anyone dressed like that in Stevenage library.

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks. It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles. Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Hitchin is Mine.

As of six o’clock tonight, I take over the Hitchin is Yours Twitter account for a week; a stewardship I’m anxious to get right. I’m proud of my hometown. It’s a great place to live, with so much going for it. I've always sold it to my non-Hitchinite friends; so much so, that a lot have gone on to move here. Any town expansion plans are partly my fault. Feel free to picket outside my house. I love its history and architecture. Take St Mary’s Church, for example. The building is beautiful inside and out, and huge for a town of our size. There has been a place of worship on site since the 7 th Century. Much of the present building dates from the 1300s. You wouldn't get that in America. (Don't forget the British Schools Museum too.) Hitchin is a hive for creative people and a hub for the arts. It boast two theatres, two comedy clubs, a couple of art galleries, a festival for world music and a thriving music scene. This drew...

mostly david ephgrave

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