Skip to main content

"Eyes Down For a Full Ha-Ha-Ha-House."


Tonight I was lucky enough to attend another recording of the Radio 4 series 'The Missing Hancocks', thanks to the generosity of the splendid Kevin Eldon, who snuck me and my wife in under his metaphorical jacket once again.

I've mentioned here before just how impressed I've been by the series, which manages to capture the tone of the show perfectly, with scary accuracy; even the banter between the cast as they made the odd slip-up during the recording felt much like how you'd imagine Tony, Bill and Sid would respond if they had made the same mistakes first time around. It has just the right amount of fun to it, and the combination of the excellent writing and Kevin McNally's spot-on rendition of The Lad Himself still manages to entertain a live audience despite last being performed sixty-three years ago; proof that good comedy doesn't date. 

They were recording two lost Christmas episodes tonight, which were both a lot of fun, though the second was my favourite. The energy was excellent, particularly in the case of McNally, who carried the weight of the script with alarming zing for a man who's currently doing (presumably) eight shows a week at the Globe as King Lear (not the easiest role for anyone to tackle, let alone to have to drop it for a day to pick up something like this).

I feel very lucky to have been able to see my favourite sitcom live more than once, which should be an impossibility when most of the cast have been long-dead. It's a real treat, second only to have been able to be in it; if that were to "ha-ha-ha-happen" I'd be very "ha-ha-ha-happy" indeed.

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Hitchin is Mine.

As of six o’clock tonight, I take over the Hitchin is Yours Twitter account for a week; a stewardship I’m anxious to get right. I’m proud of my hometown. It’s a great place to live, with so much going for it. I've always sold it to my non-Hitchinite friends; so much so, that a lot have gone on to move here. Any town expansion plans are partly my fault. Feel free to picket outside my house. I love its history and architecture. Take St Mary’s Church, for example. The building is beautiful inside and out, and huge for a town of our size. There has been a place of worship on site since the 7 th Century. Much of the present building dates from the 1300s. You wouldn't get that in America. (Don't forget the British Schools Museum too.)  Hitchin is a hive for creative people and a hub for the arts. It boast two theatres, two comedy clubs, a couple of art galleries, a festival for world music and a thriving music scene. This drew...