Skip to main content

Streets Ahead.

While tonight's gig in Whitehall may have been cancelled, I did get the chance to have a peek at Downing Street. 

Despite working down the road for a few months at the Playhouse Theatre, and having passed the Cenotaph in the past, I'd never been up to the gates at the end of the PM's street until today. If it weren't for the machine gun-brandishing policemen on the other side of the fence, I might've rustled up the courage to scale it, removing my clothing on the way, and then sprint up to the handleless door of Number Ten and desperately tried to get purchase with my fingers. 

The city looked particularly picturesque today, in the fading light of sunny day. I got off the tube at Embankment and walked towards Whitehall - giving a nod to the Playhouse as I went past, in memory of my equivocal experience there in Dreamboats & Petticoats - with a view to heading straight for the venue, before glancing at my watch and realising I had time for a quick sightsee; you can't be so close to an iconic British institution and not look at it. 

Cast of The Gig That Wasn't (gotta love my gimpy face).

The venue for tonight's aborted gig was the Clarence Pub; a high-class bar, with a room upstairs where the comedy was set to take place that looked more like a Gentleman's Club to place wagers with Phileas Fogg than a place to be funny. I say this in jest: it would have been a great room to play if there'd been an audience, but sadly, being a Monday, there wasn't. The host, Jonny, was hugely apologetic, but it couldn't be helped. Thankfully, I have another gig booked in in a few weeks with him at a busy venue near Covent Garden, so I should get the chance to satiate the Cancellation Demon (if there's such a thing). I'm only glad tonight's show wasn't meant to happen on the 11th, or I would have got caught up in the Tour of Britian; there's nothing worse than a load of dyslexic cyclists.  



Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...