Skip to main content

Paused.

I'm at a bit of a loss over what to do next, due to the lost momentum in my work-life and the emotional difficulties of my current situation.

The cancellation of Edinburgh was nigh-on unavoidable, but while going ahead was already on a knife-edge because of my dad's death, the removal of the project I'd kept at least one eye on throughout the latter stages of his illness took away the opportunity to deflect some of the pain with work; doing it was something he was very much behind too, so taking it out of the diary was an extra wrench.

I also pulled out to give myself time to rebuild, following the stress of my dad's deterioration, although the month that followed offered little opportunity. I have moments when I honestly don't know how to deal with what's being thrown my way. A disagreement over the principle behind what my dad didn't know when he wrote his Will looks set to drone on indefinitely, with the other party unwilling to acknowledge events or conversations around it in fear of conceding to a slightly different deal; something that's made grimmer in light of the long-term suffering they caused in my childhood, which has since been branded as "ridiculous". Even I never thought they'd do that.

So I find myself in a world where a person I might turn to for help is hurting me the most. And they're prepared to dismiss every negative action in a heartbeat if it best serves their interests. And they know the risk involved, yet they still put themselves first; meanwhile, I'm still trying to fight my dad's and my corner, knowing every word I say - which I'm entitled to say - will only make them angrier.

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...