Skip to main content

Sellout (for a Day).


Today's Edinburgh show was my busiest to date and the best one so far; two things that don't always go hand in hand from experience.

I’ve often found smaller fringe audiences to be the most responsive, as there’s something special about talking to an intimate room if that room’s on board. When there’s a bigger crowd you tell yourself it’s going to be a good one for it to inevitably fall flat; two of the best reviews Doggett & Ephgrave have received to date were to tiny crowds, if there’s such a thing; a handful of punters are often more impressed if you give a sparsely populated gig your all.

This morning’s show contradicted my theory perfectly. The audience was absolutely lovely and with me from start to finish; for the first time I was able to ride laughs, which was brilliant. I found I had to give it more energy than usual, which was surprising, but it was a great atmosphere and was a lot of fun to do - and the feedback on the door afterwards was very positive; if I could have a few more like today’s and yesterday’s (which was also a good one) the run would be a joy.

My only frustration now is I’ve yet to be reviewed, as I’d hate to have my favourite show to date missed by the press. There’s no guarantee they’d like it of course, but it’s nice to have something to quantify my fringe run with. That said, I’m not going to allow myself to dwell on this for too long as I told myself this wasn’t my priority for this year’s Fringe from the offset; the reason I’m here is to get better at what I do without stressing too much; anything else is a bonus.

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'Turn off your mind, relax and float downstream..."

While I’ve been practising meditation for quite some time now, I’ve recently taken to using the mindfulness app 'Headspace' . If you’ve never meditated before, or you’re an old hand at it, it’s a great resource, offering daily ten-minute guided meditations that create a sense of progress, rather than stagnating and going through the same process every day. Until I started using the app, I’d often listen to a handful of audio guided meditations I have on my phone in case of a brain emergency. If you see me with my eyes closed and my earphones in on public transport, I’m probably doing this (unless I’m sleeping and using this blog as an elaborate alibi). While the tracks on my phone are great, they can get a little repetitive as I become too familiar with them and start to anticipate everything the person on the recording will say. This is where Headspace is great, as it offers you a daily course with a different focus each day, as well as pl...