Skip to main content

Flyering Without Wings.


The person who stole a suitcase containing half of my Edinburgh flyers from the stairwell of my digs gained a disappointing loot.

It was due to my never-ending Wednesday (which ended eventually) that I’d left the case around the corner out of the way. I’d already carried one caseload of flyers up three floors to my flat, and as weedy as it sounds, I couldn’t manage a second one. Actually, it isn't weedy when you consider how much I’d already carried that day by myself (FEEL SORRY FOR ME).

When I left for my first (no)show yesterday, the case was still there, and it was my plan to take it upstairs when I got back; that’s where I fell at the first hurdle, as in the sixty minutes I was sweating my little Jagger-like bum off running my show, someone decided to claim it for themselves.

I find this surprising on two counts, as (1) the case was a cheap Wilkinson affair, and (2) it was heavier than dark matter. They must have lifted it for a moment and thought, ‘Oooh, this must contain something valuable’ - equating weight to worth - then ‘I’m going to claim this for myself’.

I hope they carried it a long distance. I hope they live at the top of Arthur’s Seat. I pray they required chiropractic treatment as a result of hauling it around Edinburgh’s many peaks and troughs. I can only image the look on their faces (plural?) when they opened it to find 3750 A6 pictures of me; my face has little black-market value. In the meantime, I’m having to ration how many flyers I give to my flyerers in case I run out, which isn’t really the idea; I’ve stuck a note at the bottom of the stairs in hope of a suitcase amnesty, as I could do with them back; the irony is, they're only valuable to me.

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

"Speaking Words of Wisdom, Let it Shine."

Tonight saw the second instalment of BBC1’s latest advertise-a-musical-for-months-and-then-cast-it-with-performers-too-inexperienced-to-do-it-a-thon ‘Let it S̶h̶i̶t̶e̶ Shine’ (or as I call it: ‘REAL AUDITIONS ARE NOTHING LIKE THIS’). I didn’t watch it (clearly), but being reminded of how angry seeing just five minutes of it made me last week caused me to mull over what I would call a musical based on the band’s songbook, if I was responsible for it. Here are a my suggestions: IDEAS FOR TITLE OF A TAKE THAT MUSICAL: Barlow! Dirty Fat-Dancing Orange! A Million Love-changes-everything Songs Owen! Howard's End Pray Misérables Mamma Marka! Babe (with a pig as the lead) …BUT MY FAVOURITE HAS TO BE: Jason & His Amazing Technicolour Dreamcoat. "It was Orange, Orange, Orange, Orange..." (TAKE) THAT’S ENOUGH OF (TAKE) THAT.