Skip to main content

GBBO 2016: Volume Eight (12.10.16)


Tonight’s Bake Off was a Tudor-themed affair, with Celtic jumbles, pies and marzipan peacocks galore.

It also saw the sad departure of Benjamina; a talented and likeable baker, with perhaps the laziest thought-up of female names (when in doubt, stick an A on the end of it). As ever, I tweeted along with the show, probably missing half of the action whilst struggling to write something concise about my love for Paul Hollywood.

See below for today’s ramblings; they be about cake.

8:03pm: The day the world ends, Selasi should be the one to make the announcement.

8:05pm: Jane's hair would be great to tackle those hard-to-reach cobwebs in the corner.

8:06pm: YOU'VE got cogs at the bottom.

8:08pm: "I've run out of pie-related puns."



8:10pm: Mel: "Mary and Paul are looking for a firm filling". Too easy.

8:15pm: My only Tudor-related joke: Henry VIII’s second wife would never rush into a room. She’d just amble in.

8:16pm: Worryingly, they haven't cut to the black lamb who's usually gambling around outside the tent. Is he in a pie?

8:19pm: By wearing that light pinky-white shirt, Paul Hollywood is asking for a spillage.

8:20pm: Andrew's built a multi-Lazy Susan.

8:24pm: There's something strangely sexual about watching Selasi work a tiny pestle and mortar.

8:29pm: I'd smash all my jumbles up and call myself an iconoclast.

8:32pm: The triangular ones look like Celtic samosas.

8:34pm: I did a Celtic poo once.

8:40pm: If I was there, I'd make a marzipan codpiece.

8:45pm: To mark this week's Tudor-themed #GBBO, I've spent the duration of the programme adopting a Henry VIII stance.

8:52pm: "I don't like that". Paul Hollywood channeling Graham Taylor.

8:53pm: My favourite early Macca solo song: 'Maybe I'm a Maze".

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...