Skip to main content

Channelling Ted Glen.

Today has been about logistics. 

It's now exactly a week to the day that I travel up to Edinburgh. This decampment has snuck up on me like a...thing that sneaks up on you...a velocirapter? That'll do. 

One of the biggest stumbling blocks I'm coming up against is how to get everything I need to Scotland when I'm travelling alone. In the past, I've always gone up in a hired vehicle with Glyn, with the boot and backseat packed to the hilt with luggage and equipment. That's not an option this time, as I don't drive. Consequently, I'm trying to streamline the amount of stuff I take with me, while aware that there are certain things that have to get there; by hand or by courier; by hook or by crook.

It doesn't help that the space I'm in doesn't have a projector and screen rigged. Last week, I ordered a new projector as ours finally gave up the ghost at my preview at The George, after eight years of good service. The new one made its debut at last week's Mostly Comedys to a proverbial standing ovation from Glyn and me. Today, I ordered a new screen, as our touring one has long been falling apart. I now have to hope that it arrives in Hitchin when it's due (on Friday), so I can check it works and ship it to Scotland for next week. 

I've also been chasing up press admin, which is something I'd sooner not be doing at the eleventh hour, when I should be working on the show. All my plans to use the last few gigless days to finetune the show have gone for nothing, thanks to all this last-minute organisation. On top of this, I'm waiting for an advert I submitted a few days ago asking for flyerers to go live, so I can employ someone to do this for me. None of these things make me funnier, but if they make my time in Edinburgh less stressful and more productive, it will be worth it. I wonder if I can have the end of my show written by algorithm?

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'Turn off your mind, relax and float downstream..."

While I’ve been practising meditation for quite some time now, I’ve recently taken to using the mindfulness app 'Headspace' . If you’ve never meditated before, or you’re an old hand at it, it’s a great resource, offering daily ten-minute guided meditations that create a sense of progress, rather than stagnating and going through the same process every day. Until I started using the app, I’d often listen to a handful of audio guided meditations I have on my phone in case of a brain emergency. If you see me with my eyes closed and my earphones in on public transport, I’m probably doing this (unless I’m sleeping and using this blog as an elaborate alibi). While the tracks on my phone are great, they can get a little repetitive as I become too familiar with them and start to anticipate everything the person on the recording will say. This is where Headspace is great, as it offers you a daily course with a different focus each day, as well as pl...