Skip to main content

Buddy Uncomfortable.


Pray silence for the most awkwardly posed photo of all time.



It was taken the day after we’d performed the Buddy Holly show in Armagh, Northern Ireland. We’re standing outside our hotel the next morning, with the Mayor, the hotel’s proprietor and a couple of representatives from MacMillan Cancer Support. By we, I mean the band’s rhythm guitarist Ben Tinniswood and me; the rest of the Cricketers were supposed to be there too, but they didn’t deign to get up.  

No-one looks comfortable with the situation. This was because we’d been ushered into a very specific formation by the photographer. No mayor should have to crouch like that. The balloons blowing into the woman’s face personify our self-consciousness; it only needs the major’s chain of office to come unclasped for the image to be complete.

One thing you can’t see is Ben’s and my physical discomfort. Our tuxedos were still damp with sweat from the night before. We showered first thing and got straight back into costume; we may as well have slept in it.

Not that we were unhappy to be there. The people were lovely and it was for a good cause. It’s just our awkward tactility that entertains me. My favourite thing is the position of the guy on the bottom left’s hand; who cups a headstock like that?


I had this picture framed as a house-warming present for Ben once. I think he appreciated it.

Popular posts from this blog

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...