Skip to main content

Being Taught a Lesson.


Of the many assemblies I attended in 1995, one sticks in the mind the most.

Occasionally, someone other than our head teacher would take the stage. These instances offered alleviation from the usual monotony. By far the most entertaining, often for the wrong reasons, were those lead by a particular teacher who shall remain nameless.

His stints at the mic were the funniest. The chief source of the humour, I'm ashamed to admit, was his obvious nerves. His fear of public speaking would alway made him trip up verbally. It didn’t help that he had a lisp. On one occasion, he told the harrowing story of a pedestrian who was trapped 'under the lorries of a wheel'; a linguistic misstep that undermined his account instantly and left us stifling laughter.

He’d clutch each side of the lectern for dear life, like it would offer protection from the swarm of 800+ pre- and post-pubescent students glaring up at him. It never did. Secondary school kids are an unpleasant, unforgiving bunch en masse.

The lecture I come back to most was in many ways the saddest. Boyzone had just released their cover of the Cat Stevens song Father and Son (which was upsetting enough). This teacher, who was clearly a child of the 70s, presumably felt he’d finally found a point of connection with his students. He kicked off his assembly with confidence, telling us how Boyzone’s current hit was originally recorded by another artist – and that if we listened to his version we’d be gripped by the true meaning of its story.

On cue, a scratchy vinyl copy of the Cat Stevens song began to play. It had the opposite affect. Stevenage children of the mid-90s weren’t used to something so primitive and honest. Each line Stevens sang provoked more and more laughter, while the teacher – who had shared something that clearly meant a lot to him – could only look on.

Looking back, I know it was us that were wrong, not him. This morning, I put Father and Son on for the umpteenth time and it made my hair stand on end; useful, as it saved me having to style it.

I know what it's like to be on the receiving end of teenage bastardy, to be fair. A few years ago I was teaching singing, when I was stopped mid-flow by a student.
'Yes, what's wrong?' I asked.
'I was just wondering why one of your ears is higher than the other.'

There's no answer to that.


Popular posts from this blog

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...