Skip to main content

"Get in the Back of the Van."


One song that sends me whizzing back to my student days is ‘And it Stoned Me’ by Van Morrison.  



(I was born in the wrong era.)

Any time I hear it, I’m suddenly sat in The Smoking Room of the flat I briefly shared with my drama school friends, playing cards late into the night while Van Morrison, Bob Dylan or my band Big Day Out rang out from the stereo.

(I'd never put the last one on, by the way. I'm not that egotistical.)

We spend a lot of time in that room. It can’t have been good for our lungs. We only knew one card game - the prettily titled Shit Head (presumably named after Piers Morgan) - which we’d eek out for hours, over endless rounds of tea and biscuits. It’s amazing I didn’t become an overweight, oxygen mask-wearing mess.

The flat stretched across the entire length of the floor above a car showroom. A large open rooftop space led up to its front door, which led to a big open-plan living room / kitchen. It was a centre point for parties. With this and our near-constant pot smoking, I’m surprised we were ever in a fit state for college. You should have seen me in some of the dance classes. Actually, it’s probably better that you didn’t.

We had a lot of fun back then. It was a time before stress or commitment. We were in a bubble, not yet facing the realities of life. We still had three years of training before we had to really think about it.

Sadly, I seldom see the friends who frequented the Suzuki Garage Smoking Room these days. Even the building has gone; it was demolished a few years later. All that remains is the flat’s comfiest chair, which sits in my living room like a testament. My cat bloody loves it.

Popular posts from this blog

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...