Skip to main content

The Foreboding 4-0.

I'm forty in three months and very conscious of all the negative self-talk I still do. And I'm worried that if I don't address this habit soon, it will start to define me (if it hasn't already).

That may sound melodramatic, but it's meant sincerely. The fug of depression frequently slows me down and affects my sense of self-worth. I work on this with therapy and meditation, but the recent fallout from a difficult familial relationship that I had little control over knocked me sideways while filling me with enough projected responsibility to feel like I'm rebuilding from scratch. Add my dad's death to this - along with the financial implications of my mum's unyielding approach - and it's like I'm running on empty. 

I can't help but compare what my parents were doing at my age. When I was born, my mum and dad were 35 and 34 respectively and had been married for nearly thirteen years so they had time on their side to have a baby (though they were still finding their feet). And yet at nearly 40, I'm still struggling to lay the roots for a family, both emotionally and financially, while my mother actively works against me.

Whether my wife and I have children is a difficult question, with time pressing, and my low income and mental health issues adding to the worry. The cost of buying my mum out of my dad's house so we can live there puts us in substantial debt, which makes having kids more anxiety-provoking, which is galling when my mum's the one actively adding to this impact without helping. She seems unable to consider our comparative needs, or grasp that forcing me to lie to my dad about her affairs throughout my childhood was unacceptable and that she only compounded it by secretly remarrying the year before he died and expecting me to lie about that too. I told her at the time it wasn't fair to not give him closure when she'd actively moved on, and that it was ethically unsound to let him sign off a will that left half of everything to her in ignorance of her changed marital status, though both fell on deaf ears. She willfully deceived him and yet I'm the one paying for it, both literally and figuratively, while she behaves like she's the victim.

It's frustrating getting caught in this feedback loop when I want to move on. But I recognise it's a natural response to dealing with a narcissist's distorted expectations and lack of accountability. They use toxic logic, but at least I understand that now and have tactics to help cope with it.

Perhaps the biggest lesson therapy's taught me is that recognising what you can and can't control is the key to recovery. The difficult childhood I had to navigate was not of my making; it was just the place I ended up. And everything I was put through I had to process while hitting the ground running; coping with things a child shouldn't have to do in total secrecy. And yet I still responded with love and acceptance, which was never enough. But that wasn't my fault. There wasn't something I lacked that made me unlovable and unimportant, which was the only way the brain of a child in my position could process it. And I've paid for that early faulty programming in some form ever since. But the time has come to wipe the whiteboard clean and start again, as life begins at forty after all.

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Hitchin is Mine.

As of six o’clock tonight, I take over the Hitchin is Yours Twitter account for a week; a stewardship I’m anxious to get right. I’m proud of my hometown. It’s a great place to live, with so much going for it. I've always sold it to my non-Hitchinite friends; so much so, that a lot have gone on to move here. Any town expansion plans are partly my fault. Feel free to picket outside my house. I love its history and architecture. Take St Mary’s Church, for example. The building is beautiful inside and out, and huge for a town of our size. There has been a place of worship on site since the 7 th Century. Much of the present building dates from the 1300s. You wouldn't get that in America. (Don't forget the British Schools Museum too.)  Hitchin is a hive for creative people and a hub for the arts. It boast two theatres, two comedy clubs, a couple of art galleries, a festival for world music and a thriving music scene. This drew...