Skip to main content

Good Work.


Today was very productive, taking in a meeting regarding Mostly Comedy potentially taking on an additional venue in another local town (well city, technically, if that doesn’t give things away) plus a rehearsal for the last outing of my show ‘Now Who’s a Comedian?’ at Leicester Comedy Festival this weekend.

The meeting was promising, which was great, as we’ve always felt Mostly could work well in another town provided the town had the right catchment and the people in charge of the venue were on board with the nature of the night, and were prepared to allow time for the club to grow. We’ve dabbled with taking it elsewhere in the past (most recently with last year's date at Letchworth’s Broadway Theatre which, if anything we were concerned might be a little too close geographically to Hitchin, though it did work) but something about the nature of this particular venue and its location definitely bode well for it being a potential new home; we’re going to visit it next week, so watch this space:

[               ] <------That one there.

Today’s rehearsal was also heartening, as it went very smoothly. I didn’t get started until relatively late-in-the-day, so I only did a single run, but it still tripped off the tongue pretty nicely, which was good. That said, I’m looking forward to get started on the new show as soon as I can, though I’d still like to sign the current one off properly when I do it on Sunday; this certainly was the case this time last year, when I rounded off my previous show ‘Mostly David Ephgrave’ on a high at the same festival, so here’s hoping for more of the same. I’d like to generate a last day of term feel to it, instead of being jaded about it; let’s hope I can stick to that attitude over the next few days.

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...