Skip to main content

Big Decade Out.


It’s hard to fathom, but in a few months it will be a decade since my old band Big Day Out got together one last time for a special reunion gig to raise money for Glyn’s and my first Edinburgh Fringe.

I don’t how it can be so long ago; it’s frightening really. And that anniversary’s just the half of it, as while our reunion gig may have been ten years ago, we actually officially split up six years before that.

Sixteen years have passed since we were still a going concern, which is as long as I’ve been out of drama school too. It was a sad end to something very special that, at the time, meant the world to me. When we broke up I was ripped apart, and what made it worse was I was the reason it ended, after the two consecutive UK tours I took after leaving college left the rest of the band thinking they could no longer wait for me.

In retrospect this seems silly when, in reality, we could have easily found a way around it. But back then, faced with an unusual situation where one of us was unavailable for longer than we'd experienced, that length of time sounded like an eternity. What made it worse was the fact that me taking the second job - which basically sealed the deal - even felt like a mistake as I did it, and yet I didn’t feel I could turn it down when it was such a big opportunity; these actor / musician shows have a lot to answer for.

What was great about the reunion gig was it came at a time when I was over the split and could just enjoy the night. It’s not like the band broke up with any malice - we were all still friends - it was just how things had to be.

Rehearsing was easy and fun and the show went perfectly. It was a great night. There’s video footage of our set somewhere that I’ve never seen; I’ll have to dig it out one day. Perhaps I can convince Mark and Chris to join me again to for our twentieth anniversary? The only question is which twentieth anniversary should it be?

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Hitchin is Mine.

As of six o’clock tonight, I take over the Hitchin is Yours Twitter account for a week; a stewardship I’m anxious to get right. I’m proud of my hometown. It’s a great place to live, with so much going for it. I've always sold it to my non-Hitchinite friends; so much so, that a lot have gone on to move here. Any town expansion plans are partly my fault. Feel free to picket outside my house. I love its history and architecture. Take St Mary’s Church, for example. The building is beautiful inside and out, and huge for a town of our size. There has been a place of worship on site since the 7 th Century. Much of the present building dates from the 1300s. You wouldn't get that in America. (Don't forget the British Schools Museum too.)  Hitchin is a hive for creative people and a hub for the arts. It boast two theatres, two comedy clubs, a couple of art galleries, a festival for world music and a thriving music scene. This drew...