Skip to main content

Definitely Doing it.


Today I registered for this year’s Edinburgh Fringe; it’s official: the shit's about to kick off once again.

Hopefully now I can get to grips with the show’s content and stop concentrating on admin. There are clearly still things to finalise on this front, but it’s anxiety-provoking to spend so much time on the organisational side of things when the show you’re promoting doesn’t exist yet.

This is why I decided to motor on with the registration today. It's one of a number of jobs that were hanging over my head that conspired to make it all seem daunting and impossible to complete. My biggest worry in truth is when I’m going to sit down and get to grips with actually writing the thing, but at least now the lion’s share of the administrative work has been done: my digs and venue are booked and the show has been registered; that’s a good place to be at this point.

I've also done more writing than I think. I’ve been trying new bits out at Mostly for the past few months as well as at various open mic gigs, plus there are plenty of blogs I know I want to rework into live material. Yesterday, I made a list of a handful I'd forgotten about until a cursory flick through the website brought them up. There’s also plenty of lesser-known Doggett & Ephgrave stuff I can turn to if it seems relevant; in many ways it's more of a case of choosing what to leave out, particularly with a resource like the blog to turn to. That’s why it was worth me keeping it up: so past-David could help out Future-David now.

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...