Skip to main content

Barry, Phil and Me.


Tonight’s preview at Hitchin Mostly Comedy was both useful and enjoyable for me.

Phil Nichol, Barry From Watford and a poor man's Statue of Liberty.

Before I started, I was aware that I would essentially be acting as a physical barrier between the audience and the two acts they’d most likely come to see: Phil Nichol and Barry From Watford. I needn’t have worried. The crowd were lovely, and very receptive despite this.

I did forty minutes, which is the longest I’ve performed solo at my own club by a long chalk. I’m still learning where the laughs are and how to pitch it, but am pleased with how it’s coming together. It still needs a little polish and topping-and-tailing to make it a show, but there’s time for that. I’m looking forward to the Brighton run, as the intimate nature of the venue will suit the material and allow me to sit back on it. It will be fun, I’m sure of that.

Both Barry From Watford and Phil Nichol played a blinder. Barry’s an old favourite at Mostly Comedy, having performed at all four previous Hitchin venues, but it was Phil’s first visit (though he’s gigged at Lastminutecomedy in Hitchin in the past). It was also the first time we’d met. He watched my show and offered some useful feedback. Our podcast interview was a little rushed due to the late hour, but we still had an interesting chat.

It’s always nice to catch up with Alex Lowe (the man behind the Barry mask). He’s got a number of exciting projects in the offing. He’s taking the role of Bill Kerr in a live staging of BBC Radio 4’s brilliantly handled ‘The Missing Hancocks’ in Edinburgh, which I’ll definitely go to see. That would be my dream job. Git.

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

Hitchin is Mine.

As of six o’clock tonight, I take over the Hitchin is Yours Twitter account for a week; a stewardship I’m anxious to get right. I’m proud of my hometown. It’s a great place to live, with so much going for it. I've always sold it to my non-Hitchinite friends; so much so, that a lot have gone on to move here. Any town expansion plans are partly my fault. Feel free to picket outside my house. I love its history and architecture. Take St Mary’s Church, for example. The building is beautiful inside and out, and huge for a town of our size. There has been a place of worship on site since the 7 th Century. Much of the present building dates from the 1300s. You wouldn't get that in America. (Don't forget the British Schools Museum too.)  Hitchin is a hive for creative people and a hub for the arts. It boast two theatres, two comedy clubs, a couple of art galleries, a festival for world music and a thriving music scene. This drew...