Skip to main content

Facelessbook.


I have a bit of a love / hate relationship with Facebook: I love to hate it.

Despite writing a daily blog and tweeting incessantly, it might surprise people to learn that I’m actually very private. I’ll use social media as an excuse to work up ideas and force a little creativity – but when it comes to Facebook, I’ll keep myself to myself.

I joined it reluctantly, on the eve of mine and Glyn’s first Edinburgh Festival. Doggett & Ephgrave had been ‘trading’ for a couple of years with us making little money from it (some things never change). All of a sudden we needed to find somewhere in the region of £8,000 - £10,000 to fund our trip to Scotland; a number of fund-raising events were hastily organized, and Facebook seemed the best (and cheapest) way to promote them.

I sometimes worry that the way I use Facebook gets on people’s nerves; you may not want to be constantly confronted by things I find amusing, or information about our latest gigs. I guess there’s no point in losing too much sleep about it: Facebook is frivolous by its very nature and shouldn’t be taken too seriously. If someone doesn’t want to read my jokes they can always filter me out (something considerably harder to do in person).

Facebook is supposed to enable friends to stay connected, but if anything, it encourages the opposite. It becomes voyeuristic: we watch each other’s lives from a distance and seldom interact. When we do, our dialogue is carefully considered: we draft and redraft our thoughts, presenting them in a way that’s esthetically pleasing - and sometimes far from the truth.

We choose photographs that show us at our best and write statuses that portray us at our most well-adjusted; we may as well publish a daily press release with all the bad bits airbrushed out.

On the flipside, a fleeting bad mood can provoke a status which – depending on how carefully you filter your friends list – can be read by the sort of work colleagues or passing acquaintances to which such an outburst would never be appropriate in everyday life.

I suppose the trick with Facebook is not to overuse it – and when you do use it, to use it for the best. While it can be a convenient way to stay in contact, it should never become a replacement for seeing those you care about in person. A couple of my closest friends aren't on Facebook; consequently we make more of an effort to stay in touch - and our relationship is probably the better for it.

Let's face it: life's too short to spend the best part of it staring at a computer screen.

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

Stevenage: A (Tiny) River Runs Through it.

If ever a river was mis-sold, it’s the Roaring Meg in Stevenage. I just walked past it on my way to the retail park that has taken its name. They’re similarly uninspiring. The river is less of a roar and more of a dribble; cystitis sufferers produce greater flow. The retail park is soulless. What was once a thriving enterprise is nearly devoid of atmosphere, save an underlying essence of emptiness and despair. With a Toys R Us. When it was first built I was excited. Back then, the thought of a bowling alley, an ice rink, a Harvester and a Blockbuster Video within a small surface area was enticing. I celebrated many birthdays on site. There was an indoor cricket pitch there for a while where I once had a joint party with a friend. Why someone with an almost pathological fear of sport would agree to such a venture is beyond me, but I did it. Now, there’s very little at the Roaring Meg of note. The river would be a metaphor for the shopping ce...