Skip to main content

Our Turn, Turn, Turn.

Today, I found myself thinking about the changing seasons, now that Autumn draws near (not that you'd know it from the weather) and how this relates in a sense to my new house.

(That's the first time I've called it that, without any caveats, which is progress.)

Seasons are an obvious way to chart passing time that's illustrative of rebirth and development. They roll on endlessly, outside of our control, leaving us to adapt to them; when it gets warmer, short sleeves are prevalent, and when it's brass monkeys, out come the Winter coats. 

Personally, I'm standing on the edge of real change. After twenty-one years in Hitchin (or essentially my adult life), I'm moving to a village outside it, into the closest thing to my family's spiritual home*. My grandparents bought the house in the late-1940s / early-1950s and raised my dad and his brother here, with my dad moving back when my parents separated when I was a kid. And now here I am, making it my home with my wife so many years later. And I can honestly say it couldn't feel more right.

Sorting through my dad's things since he passed away last year is inevitably bittersweet. Ironically, he was always trying to get me to go through my teenage belongings that he'd been storing since my mum moved to Norfolk in 1999 and I moved into my first flat. It became a running joke that I hadn't got around to it. Now, it seems he had the last laugh, as I have to sort his things too. And in turn, I'm finding my grandparents' stuff that he'd held onto when in the same situation.

When I think of the many seasons this house has seen across seventy years, it's a comfort to know my dad's family lived here throughout. My grandfather settled back to normality here post-war after his time in the navy, to raise his children (though I bet my nan did most of the work), and my dad kicked off his education (rather lazily, if the reports I've found are anything to go by) at the school down the road, presumably making his way there each day on little-foot, in short trousers. 

Every event - from my parents' wedding in 1968 to me doing puppet shows for my nan in the mid-1980s - crossed paths with this address, and so shall it continue. Because while this house has seen so many eras, the next one belongs to me. I hope my wife and I can add a few good chapters to its story.

*wanker.

Popular posts from this blog

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...

"Speaking Words of Wisdom, Let it Shine."

Tonight saw the second instalment of BBC1’s latest advertise-a-musical-for-months-and-then-cast-it-with-performers-too-inexperienced-to-do-it-a-thon ‘Let it S̶h̶i̶t̶e̶ Shine’ (or as I call it: ‘REAL AUDITIONS ARE NOTHING LIKE THIS’). I didn’t watch it (clearly), but being reminded of how angry seeing just five minutes of it made me last week caused me to mull over what I would call a musical based on the band’s songbook, if I was responsible for it. Here are a my suggestions: IDEAS FOR TITLE OF A TAKE THAT MUSICAL: Barlow! Dirty Fat-Dancing Orange! A Million Love-changes-everything Songs Owen! Howard's End Pray Misérables Mamma Marka! Babe (with a pig as the lead) …BUT MY FAVOURITE HAS TO BE: Jason & His Amazing Technicolour Dreamcoat. "It was Orange, Orange, Orange, Orange..." (TAKE) THAT’S ENOUGH OF (TAKE) THAT.