Skip to main content

Bishops Love Sci-Fi.


Last night saw another of those surreal Mostly Comedys I've grown accustomed to expect.

February 2017's Hitchin Mostly line-up: Jenny Collier, Glyn Doggett, David Ephgrave & Ardal O'Hanlon (left to right).

It’s reached the stage where we’re fortunate enough to have big names at the club as a matter of course, with the odd leap occurring at regular intervals. Only four months ago we had Rory Bremner on the bill, which was both ridiculous and ridiculously good; the dust had barely settled from this to be kicked up again by yesterday’s headliner: Ardal O’Hanlon.

Ardal O'Hanlon at Hitchin Mostly Comedy (16.02.17)

It’s no exaggeration to say we’ve been after him for years. While I’d hoped our diaries would eventually sync, there was always the stumbling block that he lived in Ireland, which made it less likely we’d find a time when he happened to be in England and free.

David Ephgrave at Hitchin Mostly Comedy (16.02.17)
Thankfully, the stars aligned yesterday with wonderful results. Yet again, the kid inside me pinched himself as he tried to get to grips with the fact the man behind one of his favourite sitcom characters was onstage at an event he’d organised. It’s one of those things that shouldn’t happen, but it did. There’s always a risk when you meet an act you’re a fan of - or watch them perform - that you’ll wind up feeling disappointed; they have a lot to live up to and long way to fall. Yesterday was yet another example of time this didn’t happen in the slightest: he was lovely and generous in his praise of everyone on the line-up (and the gig itself) and was also on brilliant form. Bizarrely, he’d barely aged since his Father Ted heyday; perhaps he’s secretly been supping from the Holy Grail.

Jenny Collier at last night's Hitchin Mostly Comedy (16.02.17)
The show was in fact good all round. The other comic on the bill, Jenny Collier, was brilliant - and just as excited to be sharing the bill with O’Hanlon- and our stuff went well too. I also had a tinker with the new material I tried at last week’s Big Nose Comedy, which seems to have legs. You’ve got to love jokes with limbs, haven’t you?

Popular posts from this blog

Not The Bayeux One.

The Carole King album Tapestry has been my 'getting-ready-in-the-morning' soundtrack for the past few weeks.  It's been a favourite album ever since I was a student, which makes for a pleasantly gentle way to usher in the start of a day. I've always been a fan of a well-crafted song, which is something of a Carole King hallmark, ever since she started writing with her first husband in the early Sixties. Tapestry may be an unimaginative choice for a favourite LP, as it suggests I haven't delved that far into her career, but it's still an undoubted classic; anything with '(You Make Me Feel Like A) Natural Woman', 'Will You Still Love Me Tomorrow?' and 'You've Got A Friend' on it can't really fail; if nothing else, it proves she likes writing songs with long titles.  Next month, she's set to perform the album live in its entirety for the first time at a gig in Hyde Park, which I would have loved to have gone to, if it weren...

Shakerpuppetmaker.

Have Parker from Thunderbirds and Noel Gallagher ever been seen in the same room? The resemblance is uncanny. So much so, I think something’s afoot. If my suspicions are correct, I've stumbled across a secret that will blow the music and puppet industry wide apart. In the mid-60s / mid-90s at least. It doesn’t take long to see the signposts. There’s the similarity between the name of Oasis’ first single, Supersonic, and Supermarianation, Gerry Anderson’s puppetry technique. The Gallagher brothers would often wear Parkas . Live Forever was clearly a reference to Captain Scarlet and Standing on the Shoulder of Giants to the size difference between Noel and his bandmates. The more you think about it, the more brazen it gets. It’s fishier than Area 51, Paul is Dead and JFK's assassination put together. The only glitch to the theory is scale . According to Wikipedia, Anderson’s marionettes were 1’10” and Gallagher is 5’8”. How does he maintain an illusion of avera...

'...I'm Gonna Look at You 'til My Eyes Go Blind."

Over the past week or two, I’ve been on a bit of a Sheryl Crow kick, largely thanks to rediscovering her cover of one of my most-liked Bob Dylan songs. She has one of my favourite female voices, yet despite this, I only own one CD and that’s just a single (her '97 release ‘Hard to Make a Stand’); on that basis, you can only imagine how much of her back catalogue I’d own if I hated her (it would fall into minus-figures). Dylan, conversely, takes up more of my collection than anyone else, save The Beatles and Paul McCartney’s solo work. He’s one of those artists who, when you get him, you really get him - and once I’d tuned into his style as a student, I'd time and again be blown away by his lyrics; he’ll have more jaw-dropping imagery in one track than other people fit in a whole career. These days, I mostly listen to music in the morning when getting ready, and more often than not, this will consist of a suggested YouTube playlist when I’m in the bath, r...